In order to facilitate a way to describe parallel behaviour some of the CSP keywords are used, along with the general file structure of Occam.
Handel | George Frideric Handel | Messiah (Handel) | Saul (Handel) | Handel and Haydn Society | Acis and Galatea (Handel) | Semele (Handel) | Händel-Gesellschaft | Theodora (Handel) | Handel's Messiah | Handel's | Water Music (Handel) | Variations and Fugue on a Theme by Handel | Sarabande and Chaconne from Handel's opera Almira | Samson (Handel) | Heinrich von Handel-Mazzetti | Händel-Werke-Verzeichnis | Handel-C | Handel Architects | Händel | George Frideric Handel's | Bill Handel | Alexander's Feast (Handel) | 2005 concert at the ''Händel-Festspiele'' in the University of Göttingen |
She has recorded several times under the direction of Alan Curtis; duets by Alessandro Scarlatti with Patrizia Ciofi, an album of Haydn arias L'infedeltà costante, and Handel operas; Elisa in Tolomeo, and the castrato role of Ulysses in Deidamia.
Other performances during this period included the soprano solo parts in Bach's Mass in B minor, Handel's Messiah and Brahms' A German Requiem, and solo recitals for the BBC Third Programme including Handel's Lusinghe piu care and Richard Strauss's Ständchen.
On the opera stage she appeared as Pamina in Mozart's The Magic Flute, Clarijn in Der Spiegel von Venedig of Hendrik Andriessen, Ninfa in Monteverdi's L'Orfeo, Belinda in Purcell's Dido and Aeneas, Dorinda in Handel's Orlando and Hélène in Chabrier's Une éducation manquée.
Handel was a frequent visitor to the then castle during his stay in Dublin for the premiere of Messiah in 1742.
The Darmstädter Bank für Handel und Industrie (often called Darmstädter Bank) was founded as the Bank für Handel und Industrie by Gustav von Mevissen and Abraham Oppenheim with a capital of 25 million guilders and modelled after the French bank Crédit Mobilier.
As President of Humanities West, she has presented programs on 18th-century Venice, Rembrandt's Amsterdam, Thomas Jefferson, Mozart, Handel's London, and Versailles.
During the next two seasons she created four more Handel roles: Alceste in Admeto and Pulcheria in Riccardo Primo (both 1727), and Emira in Siroe and Elisa in Tolomeo (1728).
I began to ask Fred Rogers why there was no professional ensemble that sang spirituals comparable to a Haydn Society or a St. Cecelia Society or a Handel Society or Bach.
European engagements include Brag in Purcell's The Fairy-Queen at the Gran Teatro del Liceu Barcelona; Somnos (Semele) and Bartolo (Le nozze di Figaro) with De Vlaamse Opera; and Xuthus in Pam Vir's Ion for the Opéra national du Rhin in Strasbourg.
The first volume (1858) was prepared by Julius Rietz (although with results that displeased Chrysander).
The Emperor of Austria was very impressed by Handel's theme an instructed his Court musician Haydn to create the Kaiserhymne, which became the anthem of the Austrian Empire.
There, through Handel's good offices, he came under the protection of Frederick, Prince of Wales, who ultimately stood sponsor to his eldest son.
Entertainments at the Apollo included music – concerts of trios and duets by Arne and Handel are recorded in 1748 – and fireworks.
Charles Jennens, who created the libretti for both Saul and Messiah, described Imeneo as "the worst of all Handel’s Compositions", but added "yet half the Songs are good".
She became a favorite of Handel's during the composer's last few years, appearing in several performances of his works including the role of Counsel (Truth) in the world premiere of The Triumph of Time and Truth in March 1757.
However in 1733 a rival opera company to Handel's, The Opera of the Nobility, had split the audience for Italian opera in London.
A feature of his ministry at Clarendon has been the semi-annual Messiah-Sing presentations during Advent and Easter featuring guest soloists accompanied by full orchestra.
Charles Jennens (1700 – 20 November 1773) was an English landowner and patron of the arts, who assembled the text for five of Handel's oratorios: Saul, Israel in Egypt, L'Allegro, il Penseroso ed il Moderato, Messiah, and Belshazzar.
Between 1759 and 1768 he directed the annual performances of Messiah at the Foundling Hospital, where he was organist.
Martin Madan, in a satirical song upon Joah Bates, issued anonymously, and set to music by Samuel Wesley, entitled ‘The Organ laid open, &c.,’ placed him as a player upon an equality with Handel: "Let Handel or Worgan go thresh at the organ".
Throughout his career, Gregory has been a regular concert performer, giving performances in the UK of oratorios and orchestral music, including Bach’s St Matthew Passion, St John Passion, Mass in B Minor, Christmas Oratorio, Elgar’s Apostles, Handel’s Messiah and Britten’s War Requiem.
It was first used by Handel in the oratorio Saul (1739), and later in the 1739 revivals of his Il Trionfo del Tempo and Acis and Galatea, and the next year in L'Allegro, il Penseroso ed il Moderato.
Banks with locations along the street in the 20th century included Dresdner Bank, Commerzbank, Landesbank der Provinz Ostpreußen, Stadtsparkasse, and Ostbank für Handel und Gewerbe.
Drama was pursued by Scottish playwrights in London such as Catherine Trotter, David Crawford's and Newburgh Hamilton who wrote the libretto for Handel’s Samson (1743).
They even expanded it, and in 1986 they performed Handel's Water Music by the Mells River.
In the mid-1950s, Mediobanca entered into agreements with important foreign partners (Lazard Group, Berliner Händel-Gesellschaft, Lehman Brothers, Sofina) that enabled the bank to play a role on the international market and obtained a Stock Exchange listing in 1956.
But many pieces commonly thought of as 'art' (Handel's 'Hallelujah Chorus', many Schubert songs, many Verdi arias) have qualities of simplicity; conversely, it is by no means obvious that the Sex Pistols' records were 'accessible', Frank Zappa's work 'simple', or Billie Holiday's 'facile'.
This method was a favorite in compositions by Scarlatti and Handel especially at the beginning of a piece, even when not forming a fugue.
Among his performances are Mahler’s ”Lieder eines fahrendes Gesellen” with the Academy of St. Martin in the Fields in London, Bach’s ”Christmas Oratorio” with the Drottningholm's Baroque Orchestra in Uppsala and Rossini’s ”Petite Messe Sollenelle” in Köln Philharmonie, Kverno's "St. Matthew Passion" in New York and Manoa in Handel's "Samson" at the London Handel Festival.
The company went bankrupt and was dissolved in 1737 (shortly after appointing Giovanni Battista Pescetti its musical director), but not before it had poached some of Handel's best singers such as Francesca Cuzzoni and Antonio Montagnana and forced his company into bankruptcy too.
Emperor Claudius became another Roman emperor, Otho (Ottone), who had already appeared as a protagonist in Monteverdi's L'incoronazione di Poppea (1642) and in Handel's Agrippina (1709).
During this period, he wrote librettos for numerous Italian operas including Handel's Floridante (1721), Muzio Scevola (1722), Riccardo Primo (1927) and Deidamia (1741).
However, the term "Baroque" as applied to art (for example Rubens) refers to a much earlier historical period than when applied to music (Händel, Bach).
He then began a short association with Handel, in 1713 to 1714, and acted in the first performances of Il pastor fido and Teseo and played Argantes in a revival of Rinaldo.
Handel: Floridante (Sharon Rostorf-Zamir (Rossane), Roberta Invernizzi (Timante), Joyce DiDonato (Elmira), Marijana Mijanovic (Floridante), Riccardo Novaro (Coralbo), Vito Priante (Oronte), Il complesso barocco, c.
Also in her repertoire were vocal-symphonic works by Bach, Handel, Beethoven, Brahms, Mendelssohn, Mahler, Shostakovich and Hindemith.
This includes the Requiem (K626, 1791), Great Mass in C minor (K423, 1783), Coronation Mass (C major) (K317, 1779), several other masses, Vesperae Solennes de Confessore (K339, 1780), Vesperae de Dominica, his arrangement of Handel's Messiah plus two of his three great operas: Don Giovanni (K527, 1787) and Die Zauberflöte (K620, 1791).
), and Handel had apparently written several arias for the part of the young Benjamin in his oratorio Joseph and his Brethren for Champness in 1744, and he may well have sung in the choruses of Messiah as a boy.
In the 18th century, the story of Semele formed the basis for three operas of the same name, the first by John Eccles (1707, to a libretto by William Congreve), another by Marin Marais (1709), and a third by George Frideric Handel (1742).
The Cathedral was also the venue for Messiah on Monday 5 December 2011, a performance that was the subject of critical acclaim in the columns of the Telegraph.
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In 1985 the Society organised a six-week Bach Festival in Sheffield to commemorate the 300th anniversary of the births of both J.S. Bach and Handel, during which event the Stadtkantorei from Sheffield's twin city of Bochum in Germany, performed Bach's Mass in B minor.
Handel is the director of the Center for Urban Restoration Ecology (CURE), a joint venture between Rutgers and the Brooklyn Botanic Garden in New York.
During her classical vocal performing years as a flexible soprano, Reeves performances included works by Handel, Bach, Mozart, Puccini, Ottorino Respighi, Charles Ives, Menotti, and Carlisle Floyd.
Books 4–10 continue the graded selection by incorporating 'standard' or 'traditional' student violin solos by Seitz, Vivaldi, Bach, Veracini, Corelli, Carl Ditters von Dittersdorf, Rameau, Handel, Mozart, Fiocco, and others.
In 2009, he choreographed Georg Friedrich Händel's opera Admeto, directed by Doris Dörrie and performed at the Edinburgh International Festival.
Baring and her daughter attend Burn’s concert where to their surprise he performs Handel’s Ombra mai fu with the National Youth Orchestra, to wild applause from his fans.
In subsequent programmes they learned new pieces including Carl Orff's Carmina Burana; visited Italy, where they sang O Sole Mio with Italian tenor Franco Malapena; held a marquee concert in Blackbird Leys (singing Handel's Hallelujah chorus); travelled to Liverpool, where they rehearsed with a full orchestra for the first time and finally went to London for the big performance.
Grodd conducted the gala opening night of the Handel Festival in Halle in Germany of 2003 with "Le Choeur des Musiciens du Louvre" from Grenoble followed by a highly successful season of Händel's rediscovered opera, Imeneo in the Halle Opera House.
He found his chief successes in concert performances of Handel oratorios and works by Bach, often appearing as a soloist with the Oratorio Society of New York.
He also edited Gay's Fables, and wrote a Life of John Gay (Salisbury, 1797), Anecdotes of G. F. Handel and J. C. Smith (London, 1798), and a few other works of minor importance.
Annapolis Micro Systems, Inc.'s CoreFire Design Suite and National Instruments LabVIEW FPGA provide a graphical dataflow approach to high-level design entry and languages such as SystemVerilog, SystemVHDL, and Handel-C seek to accomplish the same goal, but are aimed at making existing hardware engineers more productive versus making FPGAs more accessible to existing software engineers.