Johann Sebastian Bach | Ludwig van Beethoven | Johann Wolfgang von Goethe | Johann Strauss II | Ludwig Maximilian University of Munich | Ludwig I of Bavaria | Ludwig Wittgenstein | St. Johann in Tirol | Ludwig Leichhardt | Johann Heinrich Pestalozzi | Johann Albert Fabricius | Johann Christian Bach | Johann Georg Wagler | Johann Pachelbel | Johann Nepomuk Hummel | Johann Gottfried Herder | Ludwig Tieck | Ludwig Boltzmann | Ludwig | Johann Nestroy | Christa Ludwig | Ludwig Mies van der Rohe | Johann Joachim Winckelmann | Johann Gottlieb Fichte | Johann Bernhard Fischer von Erlach | Ludwig II of Bavaria | Ludwig Guttmann | Ludwig Feuerbach | Johann Homann | Johann Friedrich Böttger |
A second and revised edition was published after another visit to Germany in January 1834, in the course of which Hayward met Tieck, Chamisso, De La Motte Fouqué, Varnhagen von Ense and Madame Goethe.
Johann Ludwig Tieck called him the "model of a light and rare talent", and Charles Lamb wrote that he was a "prose Shakespeare"; Professor Ward, one of Heywood's most sympathetic editors, pointed out that Heywood had a keen eye for dramatic situations and great constructive skill, but his powers of characterization were not on a par with his stagecraft.