It was popular in Spain and Germany and there are examples from the 19th and 20th centuries, from composers as diverse as Hector Berlioz, Igor Stravinsky and Karlheinz Stockhausen.
In 1968 he attended Stockhausen’s composition studio in Darmstadt and participated in the composition of Stockhausen’s Musik für ein Haus, contributing a quintet for flute, oboe, bass clarinet, bassoon, and cello titled Atoom (Ritzel 1970, 13, 60–61; Iddon 2004, 89).
He accepted a commission to realise the first major Australian electronic work for the 1968 Adelaide Arts Festival, and conducted performances in Melbourne of works by 20th-century composers Stockhausen, Berio and Webern.
In 1971, following study with Gilles Tremblay, he began a period of three years' study in Europe, first with Gottfried Michael Koenig at the Institute for Sonology in Utrecht, and then in Cologne with Karlheinz Stockhausen.
In 1967, he participated in the International Masterclass at Darmstadt (Germany) with among others, György Ligeti, Karlheinz Stockhausen and Earle Brown.
E.M.A.K.'s music was influenced by older German electronic music, from that of Karlheinz Stockhausen to Can, both based in or near Cologne, but was also deliberately different, the band's name even cocking a deliberate snook at Stockhausen's self-appropriation of elektronische Musik.
She is a member of Paul Hillier's Theatre of Voices, with whom she sings ancient and baroque works of composers such as Abelard, Lassus, Tallis, and Schütz as well as contemporary creations such as by Cage, Stockhausen, and Pärt.
Karlheinz Stockhausen - Momente: Gloria Davy, Boje, Smalley, WDR Choir, Cologne, Ensemble Musique Vivante, Paris, Stockhausen.
It opens with a clangourous Stockhausen-like metallic percussion montage and gives rise to the unmistakable Kraftwerk sound.
This is a conversation book with the German composer Karlheinz Stockhausen whom Dirmeikis had known for 30 years.
He has cited Karlheinz Stockhausen as a central influence, and his approach could also be compared to similar "non-virtuoso" art rock musicians such as Brian Eno.
He is credited with sending a package containing some of Aphex Twin's music to Karlheinz Stockhausen.
Shandar was a French record label specializing in avant-garde material that did seminal work during the 1970 releasing, among others, recordings by Albert Ayler, Karlheinz Stockhausen, Steve Reich, Sunny Murray, Philip Glass, Richard Horowitz, Charlemagne Palestine, La Monte Young, Alan Silva, Pandit Pran Nath, Terry Riley, Cecil Taylor and Sun Ra.
The album cover's spine and back cover (with the exception of the photo) is from the Karlheinz Stockhausen album Gesang der Jünglinge, which is often credited as being the first electronic album.
Karlheinz Stockhausen | Stockhausen | Karlheinz Schreiber | Karlheinz Brandenburg | Markus Stockhausen | Karlheinz Essl | Mantra (Stockhausen) | Stockhausen's | Spiral (Stockhausen) | ''Primera'' by Karlheinz Oswald | Plus-Minus (Stockhausen) | Klang (Stockhausen) | Karlheinz Böhm | '''Alfons and Aloys Kontarsky''' performing Karlheinz Stockhausen |
The latter enabled him to go abroad, studying in France with Daniel Deffayet and Jean-Marie Londeix, and in Japan with Ryo Noda as well as working with composers such as Luciano Berio and Karlheinz Stockhausen.
Ausmultiplikation (literally, "multiplying-out") is a German term used by the composer Karlheinz Stockhausen to describe a technique in which a long note is replaced by shorter, "melodic configurations internally animated around central tones", resembling the ornamental technique of divisions (also called "diminutions") in Renaissance music.
His music shows an awareness of contemporary trends, such as the music of Karlheinz Stockhausen and Luciano Berio; he takes much of his inspiration from medieval texts.
Fred Lerdahl's "Cognitive Constraints on Compositional Systems" cites Pierre Boulez's Le Marteau sans Maître (1955) as an example of "a huge gap between compositional system and cognized result," though he "could have illustrated just as well with works by Milton Babbitt, Elliott Carter, Luigi Nono, Karlheinz Stockhausen, or Iannis Xenakis".
In 1966–67 he was an independent collaborator at the Electronic Studio of the WDR, where he assisted Karlheinz Stockhausen with the production of his electronic work Hymnen.
A year later he moved to Cologne and enrolled at the Hochschule für Musik Köln, and studied composition with Henri Pousseur, electronic music with Jaap Spek, and phonetics with Georg Heike, while also taking courses with Karlheinz Stockhausen (Latino 2001).
World premières he presided over included works by Bussotti, Ferneyhough, Górecki, Ligeti, Rihm, Stockhausen and Xenakis, and he gave the French premières of Hindemith's Symphony Mathis der Maler and Stravinsky's The Rake's Progress and the European premiere of Susman's Trailing Vortices.
Though initially primarily a jazz label, Hathut (under the patronage of UBS) would later add avant garde classical composers including Karlheinz Stockhausen, John Cage, Scelsi and others to its catalogue.
The crypt below it was decorated by Emil Schult, and Karlheinz Stockhausen composed the piece 50 Klangbilder as musical illustration of Schult's work.
Notable world premieres included the definitive version of Benjamin Britten's War Requiem and Karlheinz Stockhausen's Helikopter-Streichquartett.
In 1958 he started writing for the monthly magazine "Realités", portraying famous artists, as e.g. Herbert von Karajan, Karlheinz Stockhausen, Luchino Visconti et al.
In 1998 he attended Karlheinz Stockhausen's inaugural composition course in Kürten, Germany, and in 2000 spent three months at the Paris Conservatoire, where he studied with Guy Reibel as well as following courses in orchestration and electro-acoustic composition.
At the same time, between 1990 and 1998, he regularly attended the Ars musica contemporary music festival composition seminars and workshops, with the participation of Luciano Berio, Witold Lutosławski, György Ligeti, Pierre Boulez, Karlheinz Stockhausen, Brian Ferneyhough, Pascal Dusapin, Iannis Xenakis, Magnus Lindberg, Luca Francesconi and Wolfgang Rihm.
They have premiered over 250 works of contemporary classical music, including Iannis Xenakis's Pléïades, Inventions by Miloslav Kabeláč and Karlheinz Stockhausen's Musik im Bauch.
--This is astounding news, because the Third Sonata has still not been completed, seventeen years after the pianist's death.--> and premiered works by Karlheinz Stockhausen, Henri Pousseur, and Philippe Boesmans.
Pollini is especially noted for his performances of Bach, Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono, Karlheinz Stockhausen, Giacomo Manzoni, Salvatore Sciarrino and Bruno Maderna.
Specific works include Tony Scott's Music for Zen Meditation (1964), Karlheinz Stockhausen's Mantra (1970), Hymnen (1966–67), Stimmung (1968), and Aus den sieben Tagen (1968), Olivier Messiaen's Quartet for the End of Time (1941), and Ben Johnston, whose Visions and Spells (a realization of Vigil (1976)), requires a meditation period prior to performance.
Von Biel studied piano, theory, and composition in Toronto (1956–57), Vienna (1958–60), New York (1960, with Morton Feldman, amongst others), London (1960, with Cornelius Cardew), and Cologne (with Karlheinz Stockhausen).
In the 1960s, the orchestra was noted for its commitment to new music under music director Gerhard Samuel, giving local and world premieres by such composers as Darius Milhaud, Luciano Berio, Karlheinz Stockhausen, and Hans Werner Henze.
Composers who have worked in octophonic sound include Karlheinz Stockhausen, Jonathan Harvey, Gérard Pape, and Larry Austin.
Mariétan studied first at the Geneva Conservatory in 1955–60 with Marescotti, and later with, amongst others, Pierre Boulez, Bernd Alois Zimmermann, Gottfried Michael Koenig, Henri Pousseur, and Karlheinz Stockhausen, and his earliest works are squarely in the serialist camp (Muggler 2001).
He polished his composing skills under Karlheinz Stockhausen during master courses in Kuerten, near Cologne (1998–2002), as well as Elżbieta Sikora and Alain Savouret (International Course For Composers, Gdańsk 2000) Since the academic year 2006/2007 he has been giving lectures on film music at the Institute of Audiovisual Arts at the Jagiellonian University in Kraków, and since 2010 also at the Academy of Music in Bydgoszcz.
He subsequently studied in Basle with Gerald Bennett, in Cologne with Karlheinz Stockhausen (although he doesn't consider himself "a Stockhausen pupil"), and in Berlin with Isang Yun.
A Hertz Prize travel scholarship allowed Maxfield to travel to Europe, where he met Pierre Boulez, Karlheinz Stockhausen and Luigi Nono.
This re-awoke his interest in the music of composers such as Anton Webern, Karlheinz Stockhausen and Pierre Boulez, whom he had studied as part of his course.
Stimmung, for six vocalists and six microphones, is a piece by Karlheinz Stockhausen, written in 1968 and commissioned by the City of Cologne for the Collegium Vocale Köln.
He has recorded more than a dozen records (Etcetera, REM, Adès, Salabert Actuel, MFA, Accord) and conducted many pieces by composers from all over the world: from Claudio Monteverdi, Wolfgang Amadeus Mozart, Franz Schubert, Maurice Ravel, Claude Debussy, to Iannis Xenakis, Mauricio Kagel, Luciano Berio, Karlheinz Stockhausen, Bruno Maderna.