Fred Lerdahl's "Cognitive Constraints on Compositional Systems" cites Pierre Boulez's Le Marteau sans Maître (1955) as an example of "a huge gap between compositional system and cognized result," though he "could have illustrated just as well with works by Milton Babbitt, Elliott Carter, Luigi Nono, Karlheinz Stockhausen, or Iannis Xenakis".
Although Deutsche Grammophon acquired the reputation of releasing mainstream classical recordings, from the 1960s onwards it released an increasing number of avant-garde recordings (initially under the Avant-Garde imprint), including Bruno Maderna, David Bedford, Cornelius Cardew, Luigi Nono and improvisations.
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Contemporary composers whose works were released by Deutsche Grammophon include Sofia Gubaidulina, Oliver Knussen, Mark Anthony Turnage, Peter Eötvös, Luigi Nono, and Philip Glass.
She has sung world-premieres of works by such composers as György Ligeti, Hans Werner Henze, Luigi Dallapiccola, Sylvano Bussotti and Luigi Nono.
With the 1978 production of Luigi Nono’s Al gran sole carico d’amore in Frankfurt, Flimm for the first time emerged as an opera director.
Highly successful programmes have been those dedicated to the work of a single composer, such as Luciano Berio, Pierre Boulez, Elliot Carter, Franco Donatoni, Brian Ferneyhough, Mauricio Kagel, Ton de Leeuw, György Kurtág, Theo Loevendie and Luigi Nono.
A Hertz Prize travel scholarship allowed Maxfield to travel to Europe, where he met Pierre Boulez, Karlheinz Stockhausen and Luigi Nono.
Luigi Pirandello | Luigi Nono (composer) | Luigi Nono | Luigi Comencini | Luigi Ferdinando Marsigli | Luigi Cherubini | Luigi Chinetti | Luigi Dallapiccola | Luigi Tenco | Luigi Ambrosio | Pier Luigi Nervi | Luigi Galvani | Luigi's Mansion | Luigi Russolo | Luigi Pasinetti | Luigi Lucheni | Luigi Galleani | Luigi Schiavonetti | Luigi Pulci | Luigi Manini | Luigi Macaluso | Luigi Luca Cavalli-Sforza | Luigi Infantino | Luigi Fantappiè | Luigi Cozzi | Luigi Arditi | Luigi | Grace Nono | Pier Luigi Farnese | Pier Luigi Bersani |
In 1960 he was awarded a New Zealand Government Bursary and in 1961 he spent a year travelling in the UK, before studying composition in London with Priaulx Rainier, where he also had contact with Bernard Rands, Luigi Nono and Witold Lutoslawski.
Further studies with Milton Babbitt, Luigi Dallapiccola, and Luigi Nono convinced him of the merits of serialism, which he incorporated into his compositional technique.
Further important duos belonging to their repertory are those by Luigi Nono, James Dillon, Olga Neuwirth, Giacinto Scelsi, Roman Haubenstock-Ramati, Jacqueline Fontyn.
More than 250 first performances by more than 70 composers include Edison Denisov's Trio, Nicolaus A. Huber's Demijour, Luca Lombardi's Einklang, Wolfgang Rihm's Kalt, Friedrich Goldmann's Konzert für Posaune und 3 Instrumentalgruppen, Luigi Nono's Kolomb.
Drawing on jazz, serialism, musique concrete, and other avant-garde techniques developed by contemporary classical music composers such as Luigi Nono and Giacinto Scelsi, the group was dedicated to the development of new music techniques by improvisation, noise-techniques, and anti-musical systems.
In the United States and abroad, he has premiered and recorded works of many contemporary composers, including Charles Wuorinen, Milton Babbitt, Elliott Carter, Lasse Thoresen, Gerard Grisey, Jonathan Dawe, Tristan Murail, Ralph Shapey, Luigi Nono, Mario Davidovsky, and Wolfgang Rihm.
Pollini is especially noted for his performances of Bach, Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono, Karlheinz Stockhausen, Giacomo Manzoni, Salvatore Sciarrino and Bruno Maderna.