As scholar Jane W. Stedman observes in her book Gilbert Before Sullivan, this play anticipates Luigi Pirandello's Six Characters in Search of an Author.
The studio produced four well-received full-length dramas between 1946 and 1948, and reintroduced local audiences to Uruguayan drama film with Argentine Director Julio Saraceni's version of The Three Musketeers and Belisario García Villar's version of Italian novelist Luigi Pirandello's Come tu me vuoi.
However other foreign critics and artists who were in attendance praised the film, such as Luigi Pirandello and Émile Vuillermoz.
Starting in 1971 Oberschlick organized a music festival with Friedrich Gulda in Ossiach and two scientific symposia for the Kreisky government in Vienna, created a Happening and worked as a dramaturge for plays by Ibsen and Pirandello.
In 1950s and 1960s, many critically acclaimed productions were staged, which used international literature including the works of Anton Chekhov, Luigi Pirandello, Henrik Ibsen and Bertolt Brecht.
Heynen earlier starred in regional productions of Private Eyes, Hedda Gabler, Pirandello's Six Characters in Search of an Author and nearly three dozen other productions in the Washington and Baltimore areas.
When The Silver Cord was not being presented, there were matinee performances of Right You Are If You Think You Are by Luigi Pirandello.
They did various productions – Spoon River Anthology, a concert titled From Our Bag, Pirandello's As You Desire Me, and a double-bill titled Those Mad Victorians, which the company took to Caltech in the late 1960s.
Plays seen on Producers' Workshop included Big Boys Shouldn't Cry (Ted Allan), Flesh Of My Flesh (Guy Parent producer; Mac Shoub writer), The Strike (George Salverson) and The Vise (Luigi Pirandello writer).
She had roles in the films LD 50 Lethal Dose and Den of Lions, and in 2004 appeared as Frida in a stage production of Luigi Pirandello's Henry IV at the Donmar Warehouse, London.
The scenarios based mainly on translations of scripts of notable international writers, like Jean Cocteau, Eugene O'Neill, Lord Dunsany, Claude Roger-Marx, Luigi Pirandello, Jean Giraudoux, Henrik Ibsen, August Strindberg, Charles Vildrac, Henri-René Lenormand and others.
Tat Wood and Lawrence Miles point out the theatrical influence on this story, drawing particular attention to Luigi Pirandello's Six Characters in Search of an Author, and that the point of the story is to lead the audience to think that it's a story about an alien presence infiltrating the TARDIS in order to pull off the twist that the ship is actually conscious.
Inspired by Sherlock, Jr., Hellzapoppin', and Pirandello's Six Characters in Search of an Author, it is the tale of a film character who leaves a fictional film of the same name and enters the real world.
Luigi Pirandello | Luigi Nono (composer) | Luigi Nono | Luigi Comencini | Luigi Ferdinando Marsigli | Luigi Cherubini | Luigi Chinetti | Luigi Dallapiccola | Luigi Tenco | Luigi Ambrosio | Pier Luigi Nervi | Luigi Galvani | Henry IV (Pirandello) | Luigi's Mansion | Luigi Russolo | Luigi Pasinetti | Luigi Lucheni | Luigi Galleani | Luigi Schiavonetti | Luigi Pulci | Luigi Manini | Luigi Macaluso | Luigi Luca Cavalli-Sforza | Luigi Infantino | Luigi Fantappiè | Luigi Cozzi | Luigi Arditi | Luigi | Pirandello's | Pier Luigi Farnese |
It was one of three theatres which hosted the premiere season of the musical Fancy Free, but primarily it presented plays by many writers including Sacha Guitry, John Galsworthy, A. A. Milne, James M. Barrie, Herman J. Mankiewicz, Leslie Howard, Anton Chekhov, Henrik Ibsen, Luigi Pirandello, Graham Greene, Eugene O'Neill, William Saroyan and Sean O’Casey.
Her theatre appearances in subsequent years included that of Lady Macbeth in a 1973 Teatro General San Martín production, and works by Carlos Gorostiza, Luigi Pirandello, Anton Chekhov (Three Sisters), Tennessee Williams (The Glass Menagerie), and as Mrs. Patrick Campbell in a long-running production of Jerome Kilty's Dear Liar (with Ernesto Bianco as George Bernard Shaw).
He is the author of psychological dramas such as: Lady of the Sunflower (1912; filmed in 1918 by Michael Curtiz), and of pieces such as: Dance of Masks in the Attic (1922), which reflect the influence of Luigi Pirandello on Vojnović.
His subject was the dramas and stories of the great Italian author Luigi Pirandello, who had recently died two years after being awarded the Nobel Prize in Literature.
In fact, between the end of the 1800s and the early decades of the 1900s it was easy to meet, in the tree-lined avenues, parks or at the bars of the city, people like Giuseppe Verdi, Pietro Mascagni, Ruggero Leoncavallo, Trilussa, Beniamino Gigli, or Luigi Pirandello.
Ugo Betti (Camerino, February 4, 1892 – Rome, June 9, 1953) was an Italian judge, better known as an author, who is considered by many the greatest Italian playwright next to Pirandello.
The author Enrico Giacovelli referred to the film as "a kind of Scent of a Woman but more ambiguous, midway between Luigi Pirandello's Henry IV and The Late Mattia Pascal".