The hotel was destroyed by fire in 1959, being rebuilt to a Scandinavian design.
Leadership in Energy and Environmental Design | Rhode Island School of Design | design | Art Center College of Design | Ulm School of Design | industrial design | Cadence Design Systems | interior design | Vitra Design Museum | sound design | Scandinavian | Parsons The New School for Design | Harvard Graduate School of Design | Cooper-Hewitt, National Design Museum | Design | User interface design | Scenic design | Old Scandinavian | Jonathan Wells (intelligent design advocate) | Interior design | Beaux-Arts Institute of Design | Architectural design competition | The Free Design | Scandinavian literature | One-Design | National Institute of Design | Museum of Arts and Design | Moholy-Nagy University of Art and Design | Minneapolis College of Art and Design | Fashion design |
As one of the leading artists of the Scandinavian Design movement, Kittelsen received several awards and honors in the 1950s, including the Lunning Prize in 1952, and the 1954 Grand Prix at the Triennale in Milan for her enamel collection.
In July 1932, she opened her own office at 185 Madison Avenue in New York City with a retainer from Quaker and started designing houseware products for Libbey Glass, Federal Glass, US Glass, Towle Mfg. Co., Maryland Plastics, and Bakelite Corp. Five years later, she traveled throughout Europe to study trends in Scandinavian design and by 1939 found herself at the forefront of modern design in the United States.
Kristian Solmer Vedel (1923–2003), Danish industrial designer and part of the Scandinavian Design movement
The Bauhaus in Germany, Art Deco in America from 1920 to 1940, Scandinavian design from 1940-1960 (see for example Arne Jacobsen), as well as Italian design (see Mario Bellini) between 1960 and 1980, are all strongly influenced by the Wiener Werkstätte.