Towards the turn of the 20th century, drama and opera on Russian folklore themes (e.g., Rimsky-Korsakov's The Snow Maiden) were produced in Abramtsevo by the likes of Konstantin Stanislavsky, with sets contributed by Vasnetsov, Mikhail Vrubel, and other distinguished artists.
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Drama and opera on Russian folklore themes (e.g., Rimsky-Korsakov's The Snow Maiden) were produced in Abramtsevo by the likes of Konstantin Stanislavsky, with sets contributed by the brothers Vasnetsov, Mikhail Vrubel, and other distinguished artists.
On this stage, she performed the leading opera parts composed for high soprano (lyrical coloratura soprano), such as Antonida (A Life for the Tsar), The Snow Maiden (Snegurochka), The Swan-Princess (The Tale of Tsar Saltan), Marfa (The Tsar's Bride), the Queen of Shemakha/Shemakhan Tsaritsa (The Golden Cockerel), Violetta (Verdi's La traviata) and Rosina (Il Barbiere di Siviglia).
Ben Stevenson, Artistic Director of Texas Ballet Theater, has choreographed many narrative ballets with lavish sets and costumes in recent years, including Cleopatra, Dracula, and The Snow Maiden, based on a Russian folktale, as well as his own versions of narrative story ballets.