The collection includes about 600 accumulated works of painting, sculpture and graphic art; donations of contemporary Italian and foreign artists and includes works by Gauguin, Chagall, Klee, Dalí and Kandinsky.
For four years (1928–32), she and her husband lived in Berkeley, California where she joined various art leagues and worked with prominent artists in the Bay Area, including John Emmett Gerrity, David Park and Galka Scheyer who represented The Blue Four: European abstractionists, Feininger, Kandinsky, Jawlensky and Klee.
Gabriele Münter and Wassily Kandinsky of the Blaue Reiter artistic collective lived there for several years.
He studied under Bauhaus Masters, who were themselves Master Students of Paul Klee and Wassily Kandinsky.
A non-prescriptive group of artists were involved, whose ideals and practices varied widely: Albert Gleizes, František Kupka, Piet Mondrian, Jean Arp, Marlow Moss, Naum Gabo,Alberto Magnelli, Barbara Hepworth, Ben Nicholson, Kurt Schwitters, Wassily Kandinsky, Théo Kerg, Taro Okamoto, Paule Vézelay, Hans Erni, Bart van der Leck, Leon Tutundjian and John Wardell Power.
For the next 34 years, she was a patron of his work, and he accompanied her in extensive travels, together studying the masters throughout Europe and collecting works by artists such as Paul Klee, Wassily Kandinsky, Theo van Doesburg, William Baziotes, Jackson Pollock, Robert Motherwell, Naum Gabo and Fritz Glarner.
Later on, he attended the Bauhaus school of crafts and fine arts in Weimar, which had a profound impact on his development as an artist, having come into contact with Abstraction, the Russian avant-garde and particularly Constructivism through the works and teachings of Wassily Kandinsky, who brought it from Russia.
April 1930 the group opened an exhibition in Galerie 23 at Rue La Boétie with works by Hans Arp, Wassily Kandinsky, Fernand Léger, Piet Mondrian, Pierre Daura, Antoine Pevsner, Luigi Russolo, Georges Vantongerloo and others.
A collection of his letters shows that he was personally well acquainted with modern artists at the time, and he acquired and exhibited works by many of them, including Barlach, Feininger, Hofer, Kandinsky, Kirchner, Klee, Kokoschka, Lissitzky, Marc, and Munch.
Itten's works exploring the use and composition of color resemble the square op art canvases of artists such as Josef Albers, Max Bill and Bridget Riley, and the expressionist works of Wassily Kandinsky.
In 1950, Linien II held Denmark's largest exhibition of Concrete art with wide international participation including works by Wassily Kandinsky, Fernand Léger, Jean Arp, Le Corbusier, Auguste Herbin, Alexander Calder, Victor Vasarely, Alberto Magnelli and Jean Dewasne.
In the late 1920s Manlio Rho was deeply involved in Como's engagement with the European abstract movement led by Wassily Kandinsky and Kazimir Malevich.
Michel Henry was a student of ancient painting and of the great classical painting which preceded the scientistic figuration of the 18th and 19th Centuries, and also of abstract creations such as those of the painter Wassily Kandinsky.
In his early 20s he matriculated at the Bauhaus, taking courses with Paul Klee, Wassily Kandinsky, and Josef Albers, and left from there to attend the Ecole Photo One in Paris.
Among the best-known artists that are exhibited in the permanent exhibition of the museum are Hieronymus Bosch, Pieter Bruegel the Elder, Rembrandt, Claude Monet, Wassily Kandinsky, Vincent van Gogh, Maurizio Cattelan, Paul Cézanne, Claude Monet, René Magritte, Salvador Dalí, Mark Rothko, Edvar Munch and Willem de Kooning.
Natalia Dumitresco (born Natalia Dumitrescu; 1915 in Bucharest, Romania – 1997 in Chars, France) was a French-Romanian abstract painter associated with the Réalités Nouvelles salon of Paris after the Second World War, a movement influenced by the art of Wassily Kandinsky and Alberto Magnelli.
Today the museum kept 1770 artworks by Indonesian and foreign artists, among the most notable are Indonesian artists Raden Saleh, Affandi, Basuki Abdullah, and also some foreign artists such as Wassily Kandinsky, Hans Hartung, Victor Vasarely, Sonia Delaunay, Pierre Soulages, and Zao Wou Ki.
The Neue Künstlervereinigung München e.V (NKVM), ("Munich New Artist's Association", if literally translated from German) formed in 1909 in Munich around Wassily Kandinsky, and prefigured Der Blaue Reiter, the first modernist secession which is regarded as a forerunner and pathfinder for Modern art in 20th-century Germany.
Working in the tradition of Wassily Kandinsky, Kasimir Malevich, Piet Mondrian and František Kupka, he developed a system of symbols and motifs which were deployed in his non-figurative paintings so as to reveal cosmic mysteries, striving in particular to explain man's place in a universal order.
This collection, considered as one of the greatest regarding contemporary Art of Spain, includes works of Pablo Picasso and Wassily Kandinsky, among other authors.
The museum's collection of art of the early modern era include examples of New Mexican Modernism as well as works by Europeans artists such as Pablo Picasso, Wassily Kandinsky, Francis Picabia, and Karl Schmidt-Rottluff.
She is best known for her association with the artist Marc Chagall, which resulted in over 40 tapestries, but she also created tapestries of art works by Pablo Picasso, Max Ernst, Roberto Matta, Paul Klee, Fernand Léger, Wassily Kandinsky, Brassai, Alexander Calder, Niki de Saint Phalle, and others.
1928 Bauhaus, Dessau, Germany with Paul Klee, Wassily Kandinsky, and Josef Albers