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Initially providing custom sound design and Foley for interactive projects, within months Soundrangers expanded their focus to include the development of a library of original sound effects and production music designed and optimized to easily integrate into interactive media.
The soundtracks featured sparse music, futuristic sound effects, dialogue that was mumbled rather than spoken, and heavy use of reverb.
The track, then known as "Loving You", was largely improvisational and featured a wealth of sound effects and samples from science fiction radio plays, nature sounds, and Minnie Riperton's "Lovin' You".
Like his earlier work, such as the shorts Île de beauté (Island of Beauty) (1996) and Gold (2000), both co-produced with Dominique Gonzalez-Foerster, in Azé Ange Leccia continued to stress the light and sound effects.
He currently works on music with the gaming company S2 Games creating soundtracks and sound effects for the game Heroes of Newerth.
Pedro Macedo Camacho was the person behind the Original Soundtrack and Sound Effects Supervision on Audiosurf.
The Academy Award for Best Visual Effects, which was called Best Special Effects from 1939 to 1963, and included both visual and sound effects from 1939 to 1962
He created the sound effects for the famous car chase in Bullitt and the giant ants in Them!.
The song was the second consecutive entry with a nonsense title to win the contest (after Massiel's triumph in 1968 with "La La La"), and became infamous in the comedy world - most notably inspiring Monty Python's Flying Circus to parody it with "Bing Tiddle-Tiddle Bong" (Python precursor I'm Sorry, I'll Read That Again had previously had Bill Oddie do something similar with a song for which the title was rendered entirely in sound effects).
The music and sound effects for the C64 version were made by Martin Galway, a well-known musician of computer game music.
The music and sound effects were handled by famed videogame music remixer Jake Kaufman, who also composed for Shantae and founded the game music remix site VGMix.
In A Bucket of Water and a Glass Matte, on the 2010 release of Charlie Chaplin's Modern Times, he and Ben Burtt demonstrate Chaplin's use of miniatures and sound effects in the film's factory and roller-skating scenes.
After the B-minor section, the band presented a selection of sound effects such as footsteps and creaking doors, courtesy of the Azimuth Co-ordinator they employed on stage.
It is also available as a full-cast audiobook, with full sound effects and music, featuring R.F. Daley, Jim Meskimen, Jennifer Aspen, Lori Jablons, John Mariano and Matt Scott.
The source material includes Jay-Z's American Gangster album, Brian Eno's Another Day on Earth album, Eno's song "Another Green World" as well as interviews and spoken word clips, additional sound effects, beats and scratches.
The compilation also collected some Dick Mills sound effects from the story as well as some effects from other 1980 serials "Meglos" and "Full Circle", whose music would be the subject of the fourth volume in the series.
The album was re-released in 1992 by Silva Screen records as Earthshock - Classic Music From The BBC Radiophonic Workshop Volume 1, with bonus tracks including "The World of Doctor Who", a track recorded by Mills as a B-side to Dudley Simpson's 1973 "Moonbase 3" single, which featured a mix of music from the serial "The Mind of Evil" with sound effects from "Planet of the Daleks" before finishing with Simpson's "Master's Theme".
The collection was produced by Workshop member and long-time Doctor Who sound-effects creator Dick Mills.
Written and sung by frontman Tommy Scott in tribute to his late father, who was reported to dislike his son's taste of music, "Female of the Species" is a funky, upbeat Latin-flavoured number with feel-good sounding vibes and vocals reminiscent of lounge singers such as Perry Como and Frank Sinatra combined with keyboardist Franny Griffiths' trademark sound effects and Scott's dark humoured lyrics.
15 different types of instruments and 15 different types of sound effects are supported in addition to different paces and half-notes.
Gerrit Kinkel Productions' music and sound effects have been used in trailers and motion picture advertising for such movies as GI Joe: Retaliation, Turbo, Evil Dead, The Grey (Best Thriller - Golden Trailer Awards 2012), Sinister, The Apparition, Silent House, The Darkest Hour, The Devil Inside (Winner Golden Trailer Award 2012), Paranormal Activity 3 and more.
Linking the tracks with delicate arrangements and liberal amount of atmosphere (almost all tracks feature rain sound effects), the record contains some of Newbury's most celebrated compositions including "She Even Woke Me Up to Say Goodbye", "The Thirty-Third of August," "I Don't Think About Her No More", and "San Francisco Mabel Joy".
In 1963 they released four EPs, featuring the sound effects instrumental Telstar from The Tornados.
He later joined both Quintet (1995-1998) and Shade, Inc. (1997-2000) to create music and sound effects for Saturn and PS1 titles.
The several volunteers would be involved in the creation of sound effects using a variety of objects around the room to a scene from one of the Lethal Weapon movies.
For most of its run, the late-night program opened with a shot of a mist-shrouded castle (in actuality, a touched-up Addams Family Haunted House Aurora model kit), accompanied by sound effects borrowed from Walt Disney's Chilling, Thrilling Sounds of the Haunted House and music pilfered from Neal Hefti's score for the 1966 Roddy McDowall film Lord Love a Duck.
Mike Keneally Piano (Electric), Sound Effects, Vocals (Background), Voices, Noise, Producer, Wood Block, Scenery
The Sacramento Bee said the music was "peppy and cheerful, if unmemorable" but that the sound effects were "largely recycled from the developer's previous games, all the way back to 1999's "Star Ocean: The Second Story.
In 1980 he recited a high-speed one-minute version of Longfellow's poem "The Wreck of the Hesperus", complete with sound effects, on the album Miniatures produced by Morgan Fisher.
Wordlessly, with soundtrack and sound effects, it tells the story of a holiday crossing from Dover to Calais.
He is also working to create new comic books, including electronic comics with animated panels, voice-overs, sound effects, with music from record labels like Virgin and Hollywood Records.
Most of the music (as well as sound effects) for the show was taken from Masato Nakamura's score on Sonic The Hedgehog 2, with three theme pieces; Sonic's "What Are We Waiting For", Dr. Robotnik's "Give Me Chaos" and "Thank You For Being You" sung by Sally Acorn.
Fighting Layer (1998) sound effects only, music composed by Ayako Saso and Takayuki Aihara
The DOS port featured Roland MT-32, AdLib and beeper music and sound effects and ran at 15 FPS.
However, this entry marks the first performance of voice actor Dal McKennon in the Woody series, doing vocal effects for Wally Walrus, Buzz Buzzard, and a few for Woody as well (actress Grace Stafford provided Woody laugh and the rest of Woody sound effects in this film).
The "Frightware" bundle also includes a set of "Screamsavers", "Bump and Thump" sound effects, "Deathtop" backgrounds, and Stephen King's short novella Everything's Eventual.
Some stock sound effects have been reused so many times that they have become easily recognizable and some even clichés, such as the scream of a Red-tailed Hawk, castle thunder, or the Wilhelm and Howie screams.
While noting that the films are considered to be the "holy grail" of pornographic parodies, The Cinema Snob ripped into both of them, noting the inconsistencies of the pornographic parodies, ranging from how characters were named and cast, ways that the films could better themselves using various Super Mario video game sound effects, to overt references to 1990s Los Angeles such as the 1992 Los Angeles riots.
In his 1997 autobiography, Raga Mala, Ravi Shankar writes that he started work on Tana Mana in 1983 at the home studio of Frank Serafine, a sound effects designer for Hollywood films such as Tron (1982).
Shankar recorded much of Tana Mana in 1983 with sound effects innovator Frank Serafine, but it remained unreleased until Peter Baumann, head of new age record label Private Music, became attached to the project.
It is also available as a full-cast audiobook, with full sound effects and music, featuring Bruce Boxleitner, Lynsey Bartilson, R.F. Daley, Jim Meskimen, Josh Robert Thompson, and Chuck White.
The abridged version was published by Random House Publishing on audio cassette format in 1991, which included music, sound effects and featured narration and voice acting by Peter MacNicol.
Beginning his professional animation career with Sally Cruikshank in 1978, Bertino has worked for Nepenthe, DiC, Hanna-Barbera and Colossal Pictures in a number of capacities including character design, storyboards, layouts, voices and sound effects.
Keith was one of the primary sound effects performers for the Prairie Home Companion radio show and was often an actor in sketches written by Keillor.
The show was improvised with a beached island and by pulling legends like "Sound Effects Guy" Wes Harrison out of retirement.
‘’’Travis Powers’’’ is a Sound Designer/Supervising sound effects editor and Composer who has worked on several animated television series, including The Simpsons, Futurama, Dilbert, The PJs, The Critic, The Tracey Ullman Show, Mission Hill and King of the Hill.
Despite being pulled at by the bloody masses, it survives and, synchronising with the sound effects at the end of the track, flies up and away, high above the clouds to where it fits snugly into a hole inside a gargantuan floating ovoid structure.
It was hosted by Jack Barry and featured the exploits of a cartoon character named Winky Dink (voiced by Mae Questel) and his dog Woofer, with sound effects provided by Joseph Scholnick.
On September 7, 2012, at 10AM, after playing "What Might Have Been" by Little Texas and the first minute and a half of "The Thunder Rolls" by Garth Brooks (which began repeating on the line "When the thunder rolls/and the lightning strikes..." before grinding to a halt that led into energizing sound effects featuring thunder and lightning), WZBK changed their format to Rhythmic Top 40, branded as "Energy 106.9".
Women They Talk About (1928) is a part-talkie film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and released by Warner Brothers.