In his earlier works, Nussbaum was heavily influenced by Vincent van Gogh and Henri Rousseau and he eventually paid homage to Giorgio de Chirico and Carlo Carrà as well.
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In 1906 he joined the noted Brera Academy, where he met some of the most renowned Italian painters of the epoch, including Giuseppe Mentessi, Carlo Cattaneo, Cesare Tallone, as well as Achille Funi, Emilio Gola and Carlo Carrà.
That year, Marinetti discovered some allies in three young painters, (Umberto Boccioni, Carlo Carrà, Luigi Russolo), who adopted the Futurist philosophy.
It lacked a precise artistic programme and included artists of different styles and temperament, for example, Carrà and Marini.
Mannequins were a frequent motif in the works many early 20th-century artists, notably the Metaphysical painters Giorgio de Chirico, Alberto Savinio, and Carlo Carrà.
His family moved to Milan in 1909, and here he worked on the Letteratura magazine, frequenting avant-garde circles and making the acquaintance of Boccioni and Carrà.
The Collection of Modern Religious Art houses paintings and sculptures from artists like Carlo Carrà and Giorgio de Chirico.