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There is, of course, no single European culture, but nevertheless the common history of Christendom during the Middle Ages and the Early Modern period has resulted in a number of traditions that are shared in many ethnic or regional cultures of Europe.
A Professor of Evangelical Theology and New Testament at the University of Tübingen, he published "scientific" studies depicting the Jewish people as the historical enemy of Germany, Christianity, and European culture in general.
He was interested mainly in the problem of evil, modernism in Roman Catholic Church, ideology of Romanticism, and crisis of European culture, in which he indicated fascism and communism as a dangerous.
Opera provides a barometer of well-informed popular European culture in the early 19th century: in 1817 Giovanni Pacini brought druids to the stage in Trieste with an opera to a libretto by Felice Romani about a druid priestess, La Sacerdotessa d'Irminsul ("The Priestess of Irminsul").
To his research are due, among other matters of literary interest, the first account of Thomas Carlyle's Lectures on periods of European culture; the identification of Shelley as the author of a review (in The Critical Review of December 1814) of a lost romance by James Hogg; a description of Shelley's Philosophical View of Reform; a manuscript diary of Fabre d'Églantine; and a record by Dr Wilhelm Weissenborn of Goethe's last days and death.
Through her advocacy and translations, Zimmern made European culture - whether that of Germany, or, increasingly, Italy - accessible to English speakers.
Jolas was born in Louisville, Kentucky, United States, but became closely associated with European culture.
Yet, this book had a wide impact, since Ribeiro deepens in the concepts of Atlantic Europe and Mediterranean Europe, linking central and southern Portugal to the Mediterranean culture and northern Portugal (together with Galicia) to a pan-Atlantic European culture.
Rössen culture, Central European culture of the middle Neolithic
with Hagen Schulze (eds.), Unity and Diversity in European Culture c. 1800 (Oxford, 2006)
Michael Henry Heim translated the play in 1988 for Crosscurrents: A Yearbook of Central European Culture.
The songs were arranged to hint at a pre-Christian pagan European culture and vary between traditional songs, original Giovanni compositions and even nursery rhyme in "Baa, Baa, Black Sheep".