In addition to her creative works, Armstrong has published and continues to compose a wealth of critical works such as The Native Creative Process, a collaborative discourse between Armstrong and Douglas Cardinal on Aboriginal artistry, and “Land Speaking,” which addresses how land and Okanagan language influence her writing.
•
In a 1989 interview with Hartmut Lutz, Armstrong relates that some feminist scholars question her decision to select a male central character for her novel; however, Armstrong compellingly contends that female strength and male development are portrayed effectively through the perspective of Slash (18).
•
As a teenager, Armstrong continued to publish poetry and develop her literary voice by listening to and reading works by Aboriginal authors such as Pauline Johnson and Chief Dan George, who she identifies as her early influences.
•
In her study of Native literature, Penny Petrone includes Jeannette Armstrong amongst a young generation of university trained Aboriginal authors who contributed purposeful, exciting, and original creative works to Canadian literature during the 1980s (138).
Louis Armstrong | Lance Armstrong | Neil Armstrong | George Armstrong Custer | Armstrong Whitworth | Armstrong | Armstrong College | Gillian Armstrong | John Armstrong | Armstrong Whitworth Whitley | Karan Armstrong | Billie Joe Armstrong | Vanessa Bell Armstrong | Tim Armstrong | Robert Armstrong | Heather Armstrong | Anton Armstrong | Warwick Armstrong | Robert Armstrong (actor) | Kerry Armstrong | John Armstrong (bishop) | Frank A. Armstrong | Doug Armstrong | Curtis Armstrong | Samuel C. Armstrong | Louis Armstrong New Orleans International Airport | John Armstrong Smith | Jeannette Walls | Henry W. Armstrong | Edwin Howard Armstrong |