Aleksander Fredro (20 June 1793 – 15 July 1876) was a Polish poet, playwright and author active during Polish Romanticism in the period of partitions by neighboring empires.
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Fredro made his literary debut in 1817, but he was not interested in the problems of Romanticism.
Leonidas Aretakis has himself cited a few lyrical references, amongst others some figures in the Romantic and Neo-romantic movements, such as Friedrich Hölderlin, William Blake, Lord Byron, Rainer Maria Rilke and Georg Trakl, and the sometimes dreamlike storytelling of H.P. Lovecraft and Jorge Luis Borges.
Its unusual architecture mixes plain, unadorned elements with certain Romantic elements that is common in French Provincial buildings in the United States.
Skredsvig's famous neo-romantic painting Seljefløiten (The Sallow Flute, 1889) was painted by the lake Dælivannet in Bærum.
Romantic stories tell that it was once won in a checkers game.
Liantinis believed that Romanticism and Classicism were the only two "valid" world-views that constitute both an artistic style and a way of life.
Harald Oskar Sohlberg (29 September 1869 – 19 June 1935) was a Norwegian Neo-romantic painter, particularly known for his depictions of the mountains of Rondane and the town of Røros.
Wilde's antimimetic idealism, specifically, McGrath describes to be part of the late nineteenth century debate between Romanticism and Realism.
He was interested mainly in the problem of evil, modernism in Roman Catholic Church, ideology of Romanticism, and crisis of European culture, in which he indicated fascism and communism as a dangerous.
-- not sure about the nature of "illustrated alleyuyas" and still following up. --> painted portraits, his prolific body of work is dominated by Neo-romantic landscapes, such as Fields of Loneliness (Campos de Soledad) (1894).
Béla Bartók, for example, "in such Strauss-influenced works as Duke Bluebeard's Castle," may be described as having still used, "dissonance 'such intervals as fourths and sevenths' for purposes of post-Romantic expression, not simply always as an appeal to the primal art of sound" - unlike Arnold Schoenberg and Strauss himself, who both believed in "a mythology of historical progress in Western music".
Some modern critics have focused on Le Plongeon's Romantic tendencies and the consequent impact on his theories.
Ramón López Soler (Manresa, 1806 - Barcelona, 1836) was a journalist and writer of the Spanish Romantic Movement.
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The periodical exposed Spain to the panorama of European literature and helped introduce Romanticism, both in its Spanish manifestation and as it appeared across Germany, Italy, and England.
Sir Sidney Patrick Shelley, 8th Baronet (18 January 1880-1965) is a relative of Romantic poet, Percy Bysshe Shelley.
This novel is often seen to contain elements of the Romantic novel, which became prolific in the years following its publishing.
Sir Timothy Shelley, 2nd Baronet of Castle Goring MA (Oxon.) (7 September 1753 – 24 April 1844) was the son of Sir Bysshe Shelley, 1st Baronet of Castle Goring and the father of Romantic poet and dramatist Percy Bysshe Shelley.
The town has a long history, reaching its heyday during the Romantic period.
With the equestrian statue of Absalon he turned to Neo-romanticism.
Wilhelm Ténint (born 1817) was a minor French Romantic writer.
Romanticism | romanticism | Neo-romanticism | German Romanticism | Romanticism in Poland | New Romanticism |
The Romantic tendencies continued throughout the century: both idealized landscape painting and Naturalism have their seeds in Romanticism: both Gustave Courbet and the Barbizon school are logical developments, as is too the late 19th century Symbolism of such painters at Gustave Moreau (the professor of Matisse and Rouault) or Odilon Redon.
Historically, painting and sculpture in Slovenia was in the late 18th and the 19th century marked by Neoclassicism (Matevž Langus), Biedermeier (Giuseppe Tominz) and Romanticism (Mihael Stroj).
His earlier romantic productions include a volume of poems, L'Enfer de l'esprit (1840); a translation of the Antigone (1844) in collaboration with Paul Meurice; and Tragaldabas (1848), a melodrama.
Subjects to be embroidered were influenced by Victorian Romanticism and included floral designs, Victorian paintings, biblical or allegorical motifs, and quotations such as "Home Sweet Home" or "Faith, Hope, Love".
The composer wrote the English-language libretto herself, basing it on the cryptic supernatural short story Der blonde Eckbert by the German Romantic writer Ludwig Tieck.
The regiment was apparently considered romantic and swashbuckling since it appealed to authors and in particular was used in both Cyrano de Bergerac and the original Three Musketeers by Dumas.
One of them, Adam Mickiewicz, the foremost 19th century Polish romanticism poet wrote the patriotic drama Dziady (directed against the Russians) where he depicts Poland as the Christ of Nations.
Relying mainly on Gombrich's notion of there being only Romantic writers and artists (as opposed to "Romanticism") and Abrams' theory of Romanticism as an orientation rather than a unified historical movement, Moscovici sees Romanticism as a general quality that crosses time as well as typical categorizations of artists and writers.
Romanticism had a large element of cultural determinism, drawn from writers such as Goethe, Fichte, and Schlegel.
She was producer director of Brazilian 1999 movie Castro Alves - Retrato Falado do Poeta, that portrays the life of Castro Alves (1847-1871), the most important poet of Brazilian Romanticism.
Death of Sardanapalus is based on the tale of Sardanapalus, the last king of Assyria, from the historical library of Diodorus Siculus, the ancient Greek historian, and is a work of the era of Romanticism.
One of his most known works includes early romanic poem Grobnik field (near Rijeka) written in 1842 for the 600th anniversary of the Battle of Grobnik field where according to legend Croats defeated the invading Tatars.
His most important research was conducted in the fields of 19th century Romanticism and 16th century mysticism in Spain: a number of his critical works were translated into Spanish and republished in Spain.
Though he studied with Vaughan Williams and Stanford at the Royal College, Jacob preferred the more austere Baroque and Classical models to the Romanticism of his peers, and stuck to this aesthetic even in the face of the trends toward atonality and serialism.
It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism (with the invigoration of the Greek Revolution), right up until the Modernist and Postmodernist.
A great success was obtained by his wide panoramas on the music of Jewish composers on the two last century, and the programmes dedicated to composers of the early Romanticism (Charles-Valentin Alkan, Juan Crisóstomo Arriaga, Ignaz Moscheles, George Pinto, Jan Václav Voříšek, Carl Maria von Weber …).
The murder of August von Kotzebue by Karl Sand, however, shocked him out of his revolutionary views, and from this time he tended, under the influence of the writings of Hamann and Herder, more and more in the direction of conservatism and romanticism.
Other notable exhibitions include the 2004 Whitney Biennial, New York; Ideal Worlds: New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt; Triumph of Painting: Part Three, Saatchi Gallery, London; Like Color in Pictures, Aspen Art Museum; and Humid, The Moore Space, Miami.
Yet, it was inevitable that Italian composers would respond to the fading values of Romanticism and the cynicism provoked in many European artistic quarters by such things as World War I and such cultural/scientific phenomena as psychoanalysis in which—at least according to Robert Louis Stevenson—"all men have secret thoughts that would shame hell."
In addition to this, the sombre and sweeping tone of his Meditations Among The Tombs (for example, "the dreadful pleasure inspired by gazing at fallen monuments and mouldering tombs") has led to his being placed amongst the 18th Century 'Graveyard School' of poets, rendering his work an important influence on Horace Walpole’s 'The Castle of Otranto' of 1764 and consequently, the entire genre of Gothic Literature and the later Romanticism which the genre fuelled.
Janko Kráľ (24 April 1822 in Liptovský Svätý Mikuláš (now Liptovský Mikuláš, Slovakia) - 23 May 1876 in Zlaté Moravce was one of the most significant and most radical Slovak romantic poets of the Ľudovít Štúr generation and a national activist.
His life inspired a very popular novel by romantic author Eduardo Gutiérrez, which in turn inspired at least four biographical films entitled Juan Moreira.
Gerhard von Kügelgen (1772-1820), German painter, active in early romanticism, famous for his portraits and historical paintings
Ibsen was a major participant in a flood of nationalistic romanticism that followed the "Four Hundred Years of Darkness" and is recognized as one the great four contributors of this period (the others being Bjørnstjerne Bjørnson, Alexander Kielland, and Jonas Lie).
This conversion from neo-romanticism to Marxism was seen as a signal event at the time, and was a harbinger of many that were follow.
It was first released as a bootleg called Frozen in Wacken, which featured the art of romantic painter Antoine Wiertz on the cover.
In 1766, the Genevan Romantic and philosopher Jean-Jacques Rousseau met Bentinck, admired her knowledge of botany despite his general belief that women could not be scientific, and offered his services as her "herborist" (plant collector).
Romantic artists were inspired by the beauty of wilderness, like the painter Ludwig Richter or the composer Carl Maria von Weber, who set his famous opera Der Freischütz with its Wolfsschlucht ("Wolf's Gorge") scene set near the town of Rathen.
Stefan Florian Garczyński (13 October 1805 or 1806 – 20 September 1833) was a Polish patriot and Romantic poet, a passionate Messianist.
Further layers of Christian imagery as perceived by the Romantic generation made summit crosses a motif favoured by the painter Caspar David Friedrich in more than one of his mystic landscapes.
The album is framed by "The Garden (Parts I and II)," components of an evolving song cycle spread over multiple albums, and finds Garrod entrenched in a lyrical romanticism touching on the folk spirit of Woody Guthrie and an American, specifically Californian, mythology charted by authors such as John Steinbeck.
Multiple architectural styles were enriched in the fusion of the construction of the National Theatre including: Versailles Style, Rococo, Romanticism, and Art Nouveau, with regional touches.
Written in a Classical style, but early Romantic in sensibility, it glorified new sources of inspiration, such as Gothic architecture and the great epics of the Middle Ages.
All compositions are by Corea who wanted to create an album of quartets like the many string quartets of the Baroque, Classical, Romantic, and Impressionist periods; however, he would use jazz instrumentation.
De Onís argues that Carrasquilla's work passed unknown in Colombia and abroad at the time because he lived during two different periods of Latin American literature: Costumbrismo and Romanticism, that had representatives like José Asunción Silva in Colombia, and the coming of Modernism as a reaction against Costumbrismo.
Stylistically, he was a leading figure in the Neo-Romanticism movement, and his music has been occasionally considered an early example of Czech modernism.
In 1792, while residing in Paris in the weeks following the September Massacres, he made the acquaintance of the young Romantic poet William Wordsworth, who later concurred with De Quincey in describing Stewart as the most eloquent man on the subject of Nature that either had ever met.