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Bantam Rooster disbanded in 2003 as Potter formed the funk rock band Detroit City Council.
The American synth-pop band Information Society featured a track entitled "300bps N, 8, 1 (Terminal Mode or Ascii Download)" on their album Peace and Love, Inc. that could be decoded to a text message by holding a phone handset connected to a Bell 103 modem up to the speaker playing the track.
The style in which the breakestra plays in the live setting & on record is much influenced by late 60s and early 70s funk & soul-jazz music and the respective samples that were used in late 80s/early 90s hip hop as The Live Mix, Part 1 and The Live Mix, Part 2 show.
Influenced by such musicians as James Brown, Grandmaster Flash and Kurtis Blow, their music cleverly fused rock, funk, and hip hop with maracatu and other traditional rhythms of Brazil's Northeast.
The project started as a long-distance collaboration between vocalist Chad Ackerman (As I Lay Dying, Austrian Death Machine, Destroy the Runner, and Chapter 14), Kevin Kelsey (Programming, Synth, and Keyboards) and Sean Sallings (Guitars, Bass, & Percussion).
Destination: Sun is the fourth album by Dayton, Ohio funk band Sun
His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s cult movies such as Breakfast at Tiffany's, La Dolce Vita and The Party, which were sampled in his album Sacrebleu.
Throughout the 1960s, Sarpolis and Funk, Sr. had working agreements with Sam Muchnick, Verne Gagne, Bob Geigel and Jim Barnett.
American credits include Steve Lukather guitarist of the 80's rock band Toto and 70's R&B Soul Funk band Tower of Power, but despite these credits the album remains a Japanese exclusive.
She sang in the rock-funk band Cats Laughing, and both sang and played guitar in the folk duo The Flash Girls while living in Minneapolis, Minnesota.
Founded in 1996 by producer/engineer Dan Prothero, the label's first release was the highly successful "Coolin' Off" which launched the career of New Orleans based funk band Galactic.
Due to originating from the same foreign market, P-Funk was played alongside disco in many French discothèques, especially after the Disco Demolition Night took place in the United States.
Thus, the court held that according to Funk the manner of implementation of a natural principle must itself be patentable, as Flook subsequently held.
Funkentelechy Vs. The Placebo Syndrome is a funk album by Parliament, released in 1977 (see 1977 in music).
He was a prominent contributor to albums by both Parliament and Funkadelic until the dissolution of those two bands in the early 1980s, after which he continued to work regularly with Clinton's P-Funk All-Stars.
TK Records ceased operating by 1981, and Stone went into partnership with Morris Levy of Roulette Records to form the Sunnyview label, issuing records by funk and rap artists such as Newcleus.
The album features an array of musical guests including Prince, Dallas Austin, Humpty Hump from Digital Underground, Ice Cube, N'Dea Davenport, Dr. Dre, and Herbie Hancock, as well P-Funk alumni including Bootsy Collins, Bernie Worrell, Maceo Parker, and Fred Wesley.
In September 1996, Lethal Weapon disbanded and Oya joined Funk Masters of Wrestling, where he formed a trio with The Headhunters and won the FMW World Street Fight 6-Man Tag Team Championship.
Our albums seem to have got slower and slower, so I started searching for classic funk or disco bass lines, put some ideas together with chord changes and bass lines underneath, and emailed them to Andy for him to sing over the top.
The vehicle models have been updated to reflect the change in era, and overall, the game has a New Wave feel, with several hitherto-unreleased Devo songs being on the soundtrack, as opposed to the first game's funk-inspired style.
The band, named after Irving Klaw, was started when founding members Jeff Fuccillo, Jason Funk and Andrew Price met at the Evergreen State College.
After the influential Ruebush & Kieffer Publishing Company began using his notehead shapes around 1876 (previously they used Funk's shapes), the Aikin shapes eventually became the prevailing standard in shape note and gospel music publication, although few other compilers adopted his other innovations.
Anton - The Happy Prankster EP (2000, Mjäll/Slask Independent Media ) - synth on "Junkland"
The album branches out from Rancid's punk and ska roots to explore roots reggae and rockabilly, and dabbles in elements of dub, hip-hop, funk and other forms of music as The Clash did with Sandinista!.
Most of the songs were influenced and sampled from funk artists such as Marvin Gaye, Parliament, and Funkadelic, but one track in particular was influenced by other genres, "Beautiful But Deadly", a rock-hip hop track, influenced by Run-D.M.C. with a heavy guitar riff throughout the song (it borrows from Funkadelic's Cosmic Slop).
Jay describes himself as a primarily house music DJ, but the Good Times sound includes 1970s and 1980s funk, soul and jazz-funk, previous carnival tracks have typically included Estelle's 1980; and tracks featured in recent radio shows have included Billy Griffin's "Hold Me Tighter In The Rain" and more contemporary tracks in the form of Heavy's track "Wonderlove".
For the first release funk legends The New Mastersounds from Leeds, England were approached and DJ Gu produced and co-wrote an A and B side called Give Me A Minute.
The new musical orientation was presented to the wider audience on the second synth-laden studio album "Izleti" ("Excursions"), featuring songs "Pobuna bubuljica" ("Acne Uprising"), "Nestašni đački izleti" ("Naughty School Excursions"), "Javna kupatila" ("Public Bathrooms") and "Federico u bačvi" ("Federico in a Barrel"), the latter being inspired by the Federico Felini film Casanova.
Recorded with 7x Grammy winner Thom Russo (Audioslave, System Of A Down, Juanes, Maná) “Automatic Stranger” delivers energetic rock, driving funk, infectious pop melodies, intimate moments and mature arrangements.
Sometimes they had guest musicians performing on their albums and live shows, such as Sakari Kukko (saxophone) and Kimmo Kajasto (synth).
It was Wendy Carlos' Switched-On Bach records that inspired him to study and create the synth sounds that he later used on his hit records in the 1980s.
Pure radio has mainstream programming during the day and community-focused shows in the evening cover topics such as sexuality, aging and health, as well as specialist music shows including classic 60s, indie, funk, punk, soul and blues.
Mimicking the opening rhythm of the Rose Royce song "Car Wash", the audience slowly starts to clap, in unison, gaining in volume until the funk rhythm overwhelms the funkless rhymes of the poet.
He has featured as a guest singer/composer with artists ranging from Yoko Kanno (∀ Gundam, Cowboy Bebop, Wolf's Rain) Tatsuya Oe (Captain Funk, Hotei) Chris Mosdell (Eric Clapton, YMO) and songwriter Ron Sexsmith.
The album features musical support from various members of the P-Funk stable.
After spending time in college studying music theory and composition, Richard moved to Los Angeles where he became a sound designer for E-mu Systems in Santa Cruz and engineer/synth programmer for EFX systems in Burbank.
He was also in the funk band, 'Puppy Phat', who played at Ronnie Scott's Jazz Club and elsewhere.
Clayton was introduced to Little Feat, an eclectic band drenched in Southern rhythms, funk, and alternative rock, by his friend Kenny Gradney with whom he had played behind Delaney & Bonnie, and who was to replace original bassist Roy Estrada.
The album began as a one time recording effort from the frontmen of four creative rock bands; Gene Eugene, from the funk/rock band, Adam Again; Terry Scott Taylor, from the bands Daniel Amos and The Swirling Eddies; Mike Roe, from the rock band The 77s; and Derri Daugherty, from the atmospheric rock band The Choir.
Before her stint with Hi-5, she toured with the live act BPM - Beats Per Minute that fused funk, rock, jazz and hip hop music, and worked with the Australian band Rogue Traders, alongside the now very successful Natalie Bassingthwaighte.
Album came about when The Emotron played with Chicago Synth-Pop Act The Mystechs, Singer/Label Owner Emil Hyde asked The Emotron if they would like to record and put out a DIY release on his label Death By Karaoke Records.
Victor Wooten - Fodera 4 string electric (tracks 1-5, 7, 8, 10, 13) and Compito fretless 5 string electric (tracks 6, 9, 11, 12) basses, synth pedal (tracks 4, 7)
Their name was reference to the fact that its two prominent members, Muta and Funk, were from Japan and Texas, respectively.
Unicorn Kid was the support act for synth-pop musician Owl City on his rescheduled UK and European tour in September/October 2011.
The chorus was sung in Spanish by female vocalists, while male vocals were sung in an invented language imitating English language phonetics of the US Funk singers (somewhat like the later hit Asereje by Las Ketchup, or previously Tom Tom Club's "Wordy Rappinghood").
largely derives from funk and soul music, much as Van Peebles had featured on the soundtrack to his 1971 film Sweet Sweetback's Baadasssss Song.
The popularity of that recording, and the subsequent They Call Us Wild introduced the Mardi Gras Indians' street-beat funk to the world.
The format is very similar to that of the defunct WEJM, playing Motown, Disco, funk, new jack swing, freestyle, and early hip hop from the 1960s-2000s.
"Bad Times" lyrically touches sensitive topic, including unemployment, child sexual abuse, AIDS, Salvadoran Civil War and even nuclear war, in contrast to uptempo synth-funk melody and soulful vocals.