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9 unusual facts about Anna Moffo


Afro Poli

He was also very active on Italian Radio and Television (RAI), notably in a production of Madama Butterfly, in 1956, opposite two then unknown beginners, Anna Moffo and Renato Cioni, which has been recently released on DVD.

Cesare Siepi

Siepi's last studio recording was as the old King Archibaldo in RCA's 1976 taping of Italo Montemezzi's L'amore dei tre re, with Anna Moffo and Plácido Domingo in the cast.

Fernando Corena

More serious roles he recorded include the King of Egypt in two recordings of Aida with Renata Tebaldi, Mathieu in Andrea Chénier, also with Tebaldi, two recordings of the Bonze in Madama Butterfly with both Anna Moffo and Leontyne Price, and the Gessler in Rossini's Guglielmo Tell (William Tell) with Giuseppe Taddei and Rosanna Carteri.

Francisco Kraus Trujillo

Mrs Llopart’s legacy of exquisite technique and knowledge of voice production was passed on to her students, Alfredo Kraus, Renata Scotto, Anna Moffo, Fiorenza Cossotto, Ivo Vinco, Greek soprano Elena Suliotis, Venezuelan coloratura soprano Cecilia Nuñez Albanese, and Francisco Kraus.

Janet Cox-Rearick

She won a two-year Fulbright Fellowship in 1954, which led to her meeting with a young opera student, Anna Moffo, who became her lifelong friend.

Mario Sereni

Puccini - La Rondine - Anna Moffo, Daniele Barioni, Graziella Sciutti, Piero de Palma - RCA Italiana Opera Chorus and Orchestra, Francesco Molinari-Pradelli - RCA (1966)

Raffaele Arié

1959 - Bellini - I puritani - Anna Moffo, Gianni Raimondi, Ugo Savarese, Raffaele Arié - Coro e Orchestra di Milano della RAI, Mario Rossi.

Renato Cioni

In 1964, he took part in two historical performances, first at Covent Garden, as Cavaradossi in Tosca, opposite Maria Callas and Tito Gobbi, and then at La Scala, as Alfredo in La traviata, opposite Anna Moffo and Mario Sereni, under Herbert von Karajan.

Earlier that same year he had appeared as Pinkerton, in a television production of Madama Butterfly, opposite another debutante, Anna Moffo.


Edgar Vincent

He went on to specialize in being a publicist for opera singers, helping shape and forward the careers of major stars like Lily Pons, Anna Moffo, Eleanor Steber, Jussi Björling, George London, Leonard Warren, Mirella Freni, Shirley Verrett, Cecilia Bartoli, Dolora Zajick, and Salvatore Licitra.

James Shomate

He was particularly known for his work as an accompanist; notably playing in concerts and recitals for famous singers like Pierre Bernac, Richard Bonelli, Brenda Lewis, Anna Moffo, Lily Pons, Yvonne Printemps, Elisabeth Söderström, Gérard Souzay, Risë Stevens, and Jennie Tourel among others.

Mario Lanza: The American Caruso

It explores the life of tenor Mario Lanza, and includes clips from six of the tenor's eight films, together with interviews with such Lanza associates and contemporaries as Anna Moffo, Kathryn Grayson, Zsa Zsa Gabor, Joe Pasternak, and Dorothy Kirsten, Frances Yeend, and the conductor Peter Herman Adler.

Renato Fasano

The best-known of Fasano's recordings (most of which were for the RCA label) is that of an opera by a non-Italian musician: Gluck's Orfeo ed Euridice, with Shirley Verrett, Anna Moffo, and Judith Raskin in the cast.


see also

Corinthia Hotel Budapest

Just a few examples are Max Reinhardt, Asta Nilsen, Saljapin, Valdemar Psylander, Professor Barnard, Roberto Benzi, Mario del Monaco, Anna Moffo, Renata Scotto, Elisabeth Schwarzkopf, Amerigo Tot, Valentina Tereskova.