Zaslaw, Neal (1994) "Mozart as a working stiff," in James M. Morris, ed.
Mozart | Wolfgang Amadeus Mozart | Mozart's | Newton's method | Monte Carlo method | The Crystal Method | Requiem (Mozart) | Leopold Mozart | London Mozart Players | Scholarly method | The Duckworth Lewis Method | New Austrian Tunnelling method | Mostly Mozart Festival | Method acting | Horner's method | Go Kart Mozart | Suzuki method | Smart Common Input Method | Powell's method | Mozart and the Whale | Method Fest Independent Film Festival | method acting | Java remote method invocation | Jacobi method | Iterative method | Finite element method | Delphi method | Brent's method | X Input Method | scientific method |
He has frequently showed his versatility by singing two roles from the same opera: Figaro and the Count in Mozart’s Le nozze di Figaro, Leporello and the title role in Mozart’s Don Giovanni, Guglielmo and Don Alfonso in Mozart’s Così fan tutte, and Dandini and Don Magnifico in Rossini’s La Cenerentola, among others.
Mörike, Eduard,Ο Μότσαρτ στον δρόμο για την Πράγα (Mozart auf der Reise nach Prag), 1996
While still a student, he made his professional debut as Ferrando in Mozart's Così fan tutte at the Rønne Theater in Bornholm, Denmark and after graduation sang in Verdi's Un giorno di regno at St. Moritz.
He also edited new completed performing versions of Schubert’s Unfinished Symphony in b-minor, the Great Mass in C minor and the Requiem by Mozart, both based on original sources.
He has also done some extraordinary work for Brass bands in the UK, not least arranging the entire score of Mozart's "The Magic Flute" and Beethoven's 3rd symphony for brass band, as well as frequently conducting bands in Wales and Sweden (Gothenburg).
Pianists Chick Corea and Makoto Ozone incorporated jazz cadenzas into an otherwise traditional performance in Japan of the Mozart Double Piano Concerto.
Other performances in 2004 included Duruflé's Requiem and Rutter's Gloria, as well as Mozart's Vesperae Solennes de Confessore (the Solemn Vespers), K339 and Thamos, König in Ägypten (Thamos, King of Egypt), K345 in its final concert for the year.
On the opera stage she appeared as Pamina in Mozart's The Magic Flute, Clarijn in Der Spiegel von Venedig of Hendrik Andriessen, Ninfa in Monteverdi's L'Orfeo, Belinda in Purcell's Dido and Aeneas, Dorinda in Handel's Orlando and Hélène in Chabrier's Une éducation manquée.
O'Riley claims his renditions have introduced the music of Radiohead to a classical audience as well as introducing classical music to a wider or younger audience, as he sometimes performs both standard concert repertoire, such as Shostakovich or Mozart, and Radiohead, Elliott Smith or Nick Drake interpretations at the same concert.
Curzon was particularly well known for his interpretations of Mozart and Schubert.
1994 Nekrošius received a special prize of the Lithuanian Theatre Union as the Best Director of the Year, and an award of the Baltic Assembly for Aleksandr Pushkin's Little Tragedies (Mozart and Salieri. Don Juan. Plague) as the best theatre performance in the Baltic States.
Mona Lisa by Leonardo da Vinci, Girl with a Pearl Earring by Johannes Vermeer, the works of Charles Darwin and Isaac Newton and the music of Wolfgang Amadeus Mozart are some of the highlights on Europeana.
Queen of the Night in Mozart's Magic Flute production by Bob Wilson, Paris Opera, L'Opera Comique, Le Theatre du Chatelet, Le Theatre des Champs Elysees, Théâtre Nanterre-Amandiers and Parisian Bastille Opera, the Houston Grand Opera in Texas
Festivities arranged for this occasion included the operas Ascanio in Alba by Mozart and Il Ruggiero by Johann Adolph Hasse.
She sang more than 100 parts, covering a wide range of styles and periods, from Mozart, Meyerbeer, Gounod, Verdi, Wagner, Puccini, Strauss, Schreker and Krenek.
The film documented Mr. Stern's rehearsals and performances of Mozart and Brahms violin concertos with the famous Chinese conductor Li Delun, who also acted as his guide and translator on his trip.
•
From Mao to Mozart: Isaac Stern in China is a 1980 documentary film about Western culture breaking into China produced and directed by Murray Lerner.
In addition to his own works, he performed works by Frontini, Cali, Vincenzo Bellini, Mozart, Edvard Grieg, Amilcare Ponchielli, Giuseppe Verdi, Felix Mendelssohn, and Pietro Mascagni.
Purely orchestral records by Cloëz include 'Intermezzo' by Georges Hugon (Orchestre des Concerts Symphoniques), Liszt Piano Concerto No. 2 and Hungarian Fantasy (Orchestre national de la Radiodiffusion Française, Raymond Trouard), Schobert's Concerto in G for harpsichord and orchestra (Ruggero Gerlin), Mozart's Concerto for Flute and Harp (with Gaston Crunelle, Pierre Jamet), the Hebrides Overture and Danse Macabre.
In opera she sang some of the most demanding roles in the coloratura Fach, e.g. Zerbinetta in Richard Strauss' Ariadne auf Naxos, Violetta in Verdi's La traviata, Zaide in Mozart's Zaide and the already mentioned Queen of the Night in The Magic Flute.
Mr. Ceci made many solo appearances including the Denver Chamber Orchestra, Royal Metropolitan Orchestra of Japan, Shizuoka Symphony Orchestra, Osaka Municipal Band, The Mozart Festival in Whistler, British Columbia, Bach Carmel festival in Carmel-by-the-Sea, California, Colorado Music Festival, Minnesota Orchestra, Esterhazy Orchestra, New Orleans Philharmonic Orchestra and with the Denver Symphony Orchestra as soloist in over thirty major works.
Born in Rappersdorf in Austria, Wächter sang in various church choirs in Vienna, making his stage début in 1819 at Graz as Don Giovanni in Mozart's Don Giovanni.
Moses has also been part of fourteen festivals; among them The Adare Festival in Ireland, The Cabrillo Festival, Mostly Mozart-NYC, and The Spoleto Festival in Italy.
His concerto appearances include Mozart's Clarinet Concerto with the Santo Andre Orchestra in Brazil and Copland's Clarinet Concerto with the Evergreen Orchestra at the National Concert Hall of Taiwan in Taipei.
"Conservati fedele", K. 23, a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart
Die Schuldigkeit des ersten Gebots, K. 35, a sacred musical play by Wolfgang Amadeus Mozart
During the same year, the band started collaborating with the composer Irena Popović at the BELEF festival, with whom, in 2006, the band worked on a rock opera Mozart... Luster... Lustig, covering the works of Wolfgang Amadeus Mozart.
Requiem (2006) was commissioned by Artistic Director Peter Sellars for the New Crowned Hope Festival in Vienna, celebrating the 250th anniversary of Mozart.
Ancona also undertook roles composed by Leoncavallo (Silvio and Tonio), Puccini (Lescaut and Marcello), Mascagni (Alfio and David in L'amico Fritz), Giordano (Gerard in Andrea Chénier), Mozart (Don Giovanni and Figaro) and Wagner (Wolfram, Telramund and even, on occasion, Hans Sachs).
As well as specializing in Mozart, Schubert, Schumann and Ravel, he has a wide repertoire including the somewhat neglected composers Carl Maria von Weber, Leopold Godowsky, Gabriel Fauré, Sir Arnold Bax and Eduard Tubin.
A singer of unusual longevity, Gedda has been active well into his late 70s; in May 2001 he recorded the role of the Emperor Altoum in Puccini's Turandot and the role of the High Priest in Mozart's Idomeneo in June 2003.
Mozart – Man of Music (1957), a historical costume drama.
Mozart marks "cello obligato" in Don Giovanni in Zerlina's aria Batti, batti, o bel Masetto.
The work is admired for its scholarly approach (at the time, novel in Mozart biography), and in versions revised by Hermann Abert and Cliff Eisen, continues in use today.
He was also coach at Glyndebourne Opera, working on Fidelio, Alceste, The Rake’s Progress, Arlecchino, many Rossini and all the Mozart operas.
He began his formal piano and composition training at the age of 9 and made his concert debut when he was 11, playing a Mozart piano concerto with the Santa Monica Symphony Orchestra.
Its 1945 Columbia Records 78rpm recording of the Mozart clarinet quintet with Reginald Kell (the earlier of Kell's versions) was highly praised.
Barbara Ployer (1765–1811), an Austrian piano and composition pupil of Mozart for whom he composed two piano concertos
Bader made numerous recordings throughout the 1980s and 1990s, most notably, with the music of Kurt Weill, Ignacy Jan Paderewski, Joseph Joachim and others, including mainstream and the lesser-known 18th and 19th century masses by Mozart, Bruch, Beethoven, Bruckner, Weber, as well as Nicolai, Suppé, and Donizetti.
She appeared in roles of Mozart's operas, such as Pamina in The Magic Flute (at the Salzburg Festival 1991 and recorded with Georg Solti), Servilia in La clemenza di Tito (recorded with Nikolaus Harnoncourt) or the Countess in Il nozze di Figaro in Glyndebourne and with the Zurich Opera.
This includes the Requiem (K626, 1791), Great Mass in C minor (K423, 1783), Coronation Mass (C major) (K317, 1779), several other masses, Vesperae Solennes de Confessore (K339, 1780), Vesperae de Dominica, his arrangement of Handel's Messiah plus two of his three great operas: Don Giovanni (K527, 1787) and Die Zauberflöte (K620, 1791).
She has produced recordings of Bartók, Beethoven, Brahms, Britten (the world premiere of whose Three Character Pieces she gave in 1989), Chopin, Haydn, Mozart Schubert and Rawsthorne on the Semaphore label.
Endich made her professional singing debut in July 1957 at the Tanglewood Music Festival as the soprano soloist in Wolfgang Amadeus Mozart's Missa Solemnis with tenor John McCollum, the Boston Symphony Orchestra, and conductor Charles Munch.
During her classical vocal performing years as a flexible soprano, Reeves performances included works by Handel, Bach, Mozart, Puccini, Ottorino Respighi, Charles Ives, Menotti, and Carlisle Floyd.
Books 4–10 continue the graded selection by incorporating 'standard' or 'traditional' student violin solos by Seitz, Vivaldi, Bach, Veracini, Corelli, Carl Ditters von Dittersdorf, Rameau, Handel, Mozart, Fiocco, and others.
Tamino, the main character (a prince and hero), in the opera The Magic Flute (Die Zauberflöte) by Wolfgang Amadeus Mozart (the name of the character seems to be Italian)
Walther Ludwig (17 March 1902, Bad Oeynhausen – 15 May 1981, Lahr) was a German operatic lyric tenor, particularly associated with Mozart roles and Schubert lieder.
Een Totale Entführung was a music theatre production made in cooperation with Ramsey Nasr and based on Mozart's Die Entführung aus dem Serail.
The emergence of an outstanding conductor, Johann Joseph Strobach, who built the opera orchestra of Prague into one of the greatest orchestral ensembles in central Europe, was also critical in attracting Mozart to the city, as was the prominence of the Duschek couple (Franz Xaver and Josepha, who had unprecedented international connections for musicians from Prague who chose not leave the Bohemian lands.