In his review for the Boston Globe, Historian David Kaiser called The Fourth Turning "a provocative and immensely entertaining outline of American history." "Strauss and Howe have taken a gamble," argued Kaiser.
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In 1991, Jonathan Alter wrote in Newsweek that Generations was a “provocative, erudite and engaging analysis of the rhythms of American life.”
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Recently he performed “Don Quixote” by R. Strauss under the baton of Marek Janowski – a performance was broadcast on the MDR.
He has recorded many highly successful CDs for the Strauss, Portugalsom, Marco Polo and Naxos record labels, notably a series of recordings of Portuguese composers for Naxos with the Bournemouth Symphony, the City of London Sinfonia, the Northern Sinfonia, the National Orchestra of Ireland, the Royal Scottish National Orchestra, among others.
In Berlin she continued to expand her repertoire with leading roles in Mozart's The Marriage of Figaro and Così fan tutte, Verdi's Aida, Puccini's Tosca, Tchaikovsky's Eugene Onegin, Wagner's Tannhäuser and Lohengrin, and Strauss's Ariadne auf Naxos and Der Rosenkavalier.
Amadeus Press has issued a DVD featuring Strauss in concert at Steinway Hall, New York.
As a response to the many methodological questions on the dying study the first grounded theory (GT) methodology appeared in 1967 co-authored with Strauss: The Discovery of Grounded Theory.
In a Wayne and Shuster skit about a mail-in record offer, the comedians offer a collection containing the entire works of "Brahms, Beethoven, Strauss, Wagner and Bobby Gimby!"
After several appearances on Shestack's show and the Edie Huggins Morning Show on WCAU TV (CBS Affiliate), Strauss put away her apron and asked Shestack to teach her how to become a television news reporter.
Dr. Robert Herbert Brabant of Devizes introduced the book to David Strauss, author of Das Leben Jesu, and the Inquiry was translated into German (1839): Strauss wrote it a preface.
Umaru Musa Yar'Adua, the president of Nigeria from 2007–2010, reportedly suffered from Churg–Strauss syndrome and died in office of complications of the disease.
For instance, a date seen in one of the newspaper clippings is actually Branagh's birthday, and Roman Strauss' prisoner number is the date of the Battle of Agincourt.
In his autobiography The World of Yesterday, Zweig describes how Strauss got in touch with him after Hofmannsthal's death to ask him to write a libretto for a new opera.
Jakobson had already persuaded a young social anthropologist — Claude Lévi-Strauss — to apply distinctive features theory to the study of kinship systems, in this way inaugurating 'structural anthropology'.
In 1936-38 she undertook field research with her husband in Mato Grosso and Rondônia in the Amazon Rainforest, studying the cultures of the Guaycuru and Bororo Indian tribes.
The East Washington Avenue Bridge was a movable Strauss underneath-counter weight deck-girder bascule bridge in Bridgeport, Connecticut.
He refused to submit himself to any form of positive orthodoxy, yet when a man like Strauss pushed unorthodoxy to its extreme limits Quinet revolted.
This is the sense that Balducci catches in various cultural itineraries: the structuralism of Claude Lévi-Strauss, the "ecology of mind" of Gregory Bateson, the generative grammar of Noam Chomsky.
Her introduction to that work is one of the most authoritative interpretation of Strauss's work on Maimonides.
# Strauss - Also Sprach Zarathustra - Public Domain – 0:55
She sang more than 100 parts, covering a wide range of styles and periods, from Mozart, Meyerbeer, Gounod, Verdi, Wagner, Puccini, Strauss, Schreker and Krenek.
Lévi-Strauss, Claude (1983), The Raw and the Cooked: Mythologiques - Volume 1, Paperback Reprint Edition, Chicago: University of Chicago Press.
His musical "Tales from the Manhattan Woods," based on Strauss' Die Fledermaus, recently completed a successful run at the Wings Theatre.
Giuseppe made his American Recital Debut on April 21, 2012 with the Harriman-Jewell Series at the Folly Theater in Kansas City, Missouri singing a program of Italian and German songs by Cilea, Pizzetti, Respighi, Tosti and Strauss.
This approach was written down and systematized in the 1960s by Anselm Strauss (himself a student of Herbert Blumer) and Barney Glaser (a student of Paul Lazarsfeld), while working together in studying the sociology of illness at the University of California, San Francisco.
She is noted for her performance of Elsa in Wagner's Lohengrin, the title role in Strauss's Arabella, Ellen Orford in Britten's Peter Grimes, and the Governess in Britten's The Turn of the Screw.
At the Carnegie Music Hall in Pittsburgh, Pennsylvania, he accompanied a 25 piece orchestra and a 200 member choir in singing Strauss's "An der schönen blauen Donau".
During college, Strauss created a partnership with Matt B. Britton where he expanded his nightlife prominence to Boston.
Structures élémentaires de la parenté, de Claude Lévi-Strauss, devotes a chapter to the study of parenthood in the Jingpho ethnicity.
Strauss also adapted various popular melodies of his day into his works so as to ensure a wider audience, as evidenced in the incorporation of the Oberon overture into his early waltz, "Wiener Carneval", Op. 3, and also the French national anthem "La Marseillaise" into his "Paris-Walzer", Op. 101.
Around the same time, he became influenced by the structuralist approaches of Claude Lévi-Strauss and, through the help of George F. MacDonald, began an intensive study of the Tsimshianic narratives collected by Marius Barbeau and William Beynon.
Father of musicologist Walter Hummel, he was a musician and promoter of the works of Wagner, Bruckner and Strauss, a representant of the more creative sounding musical culture of his time.
After completion of Danae's score, Strauss was planning in 1940, at the suggestion of Heinz Drewes and Hans Joachim Moser, to collaborate with Gregor to rework the libretto of the opera Jessonda (music: Louis Spohr, libretto: Edward Henry Go ).
Roles she sang in the studio (such as the Empress in Strauss' Die Frau ohne Schatten) or in concert (such as Leonore in Beethoven's Fidelio, and Fidelia in Giacomo Puccini's Edgar) are not included.
Karin Branzell sang the contralto/mezzo parts in all of Wagner's operas, some of Verdi's, as well as Herodias and Clytemnestra in Richard Strauss's Salome and Elektra, the Kostelniczka in Leoš Janáček's Jenůfa and Wilhelm Peterson-Berger's Arnljot, and many other roles.
The composition was first performed on 6 January 1848 in Bucharest in Wallachia (now Romania), as part of a six-month tour of Europe that Strauss was conducting with his orchestra.
Lotte Strauss, born 15 April 1913 in Nuremberg, Germany, died 4 July 1985, was an American pathologist.
She created the roles of Blanchefleur in Kienzl's opera Der Kuhreigen (1911), Ariadne in Strauss's Ariadne auf Naxos (1912), the Empress in his Die Frau ohne Schatten (1919), and Marie/Marietta in Korngold's Die tote Stadt (1920), which was also the role in which she debuted at the Metropolitan Opera on November 19, 1921.
He's successfully shown his range in several different theatre productions, a.o in Almqvist's Drottningens juvelsmycke, Bulgakov's Mästaren och Margarita (The Master and Margaret), Brecht's Tolvskillingsoperan (The Threepenny Opera), Botho Strauss' Rummet och tiden, Molière's Misantropen (Le Misanthrope) and Brecht's Den goda människan i Sezuan.
In the 20th century, the French Artistic Mission had continued in São Paulo to the foundation of the University of São Paulo, with the support of the anthropologist Claude Lévi-Strauss, in 1934.
We can mention Raymond Aron, André Beaufre, Jacques Berque, Henry Kissinger, Claude Lévi-Strauss, Louis Massignon or even Jean-Paul Sartre among the authors who wrote articles for Politique étrangère.
The first is not so consequential as it marked Strauss incorporation of many snatches of his famous The Blue Danube waltz op. 314 resulting in the entire Coda (tail-piece) being dominated with anticipation of the waltz proper as is Strauss incorporation of Haydn's Austrian hymn Gott erhalte Franz den Kaiser into various sections of the Coda.
A film about the life of Richard Fuchs,The Third Richard (the first two being Wagner and Strauss) has been produced by his grandson Danny Mulheron.
Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras.
In later years he used a baton inherited from Franz Lehár, that had been originally owned by Johann Strauss and contained Strauss's initials engraved in silver.
Samantha Strauss is the co-creator and head writer of the award winning 52-part ABC teen drama series Dance Academy.
Strauß was finally forced to admit that he had phoned the German military attaché in Madrid and urged him to have Ahlers arrested.
Walter A. Haas, Jr. (1916–1995), former president and chairman of Levi Strauss & Co., son of Walter A. Haas.
He improved the quality of the orchestra and opened the new opera house with a performance of Der Rosenkavalier of Strauss, with Elisabeth Grümmer as Marschallin, Teresa Żylis-Gara as Octavian and Kurt Böhme as Ochs.
Strauss later worked at the U.S. Department of Energy and as a committee staffer for Senator Charles Percy, and in 1980 he became chief counsel and staff director of the Subcommittee on Energy, Nuclear Proliferation, and Government Processes.
Man lebt nur einmal! (You Only Live Once!), a waltz by Johann Strauss II