Theodore Roosevelt | T. S. Eliot | Eliot Spitzer | George Eliot | Theodore Dreiser | John Eliot Gardiner | Eliot Ness | Theodore Sturgeon | Theodore von Kármán | Theodore Roosevelt, Jr. | Theodore Parker | Theodore Bikel | Theodore | Eliot Weinberger | Theodore Roosevelt National Wildlife Refuge Complex | Théodore Botrel | Samuel Eliot Morison | Charles Theodore, Elector of Bavaria | Theodore Wirth | Theodore Ushev | Theodore Robinson | Theodore of Tarsus | Theodore Edgar McCarrick | Théodore Dubois | Eliot Kennedy | Charles William Eliot | William Greenleaf Eliot | Theodore Roethke | Theodore of Mopsuestia | Théodore Géricault |
In the final scene in which the American Photojournalist appears, he is talking with Willard while Kurtz reads T. S. Eliot's "The Hollow Men".
Anne Barbara Ridler OBE (née Bradby) (30 July 1912 – 15 October 2001) was a British poetess, and Faber and Faber editor, selecting the Faber A Little Book of Modern Verse with T. S. Eliot (1941).
King asserted that poet Andrew Marvell was a principal influence on his work, but acknowledged the influence of T. S. Eliot and Yeats.
T. S. Eliot said the story "would seem to have been written solely to provide a satisfaction for some morbid emotion".
Theodore Luqueer Mead was an American horticulturist who favored the Billbergia genera in his hydridising work.
Barton has noted parallels between canonical criticism and the New Criticism of T. S. Eliot and others.
Guest artists during his time included John Mansfield, Gustav Holst, Dorothy L. Sayers, and T. S. Eliot (whose 1935 drama Murder in the Cathedral was commissioned by Bell for the festival).
She is the author of Beatrice Webb: A Life (1992); Painted Shadow: The Life of Vivienne Eliot, first wife of T.S. Eliot (2001), which she wrote as a visiting fellow at the University of Texas at Austin; and A Dangerous Liaison (2009), about the relationship between Simone de Beauvoir and Jean-Paul Sartre; as well as co-editor of Writers Under Siege: Voices of Freedom from Around the World (2007).
T. S. Eliot Gus the theater cat ("Old possum's book of practical cats")
The walk passes Tyglyn Aeron (now a hotel) which was the summer home of the publisher, Geoffrey Faber – T. S. Eliot spent holidays here in the 1930s.
T.S. Eliot, who shared Montale's admiration for Dante, was an important influence on his poetry at this time; in fact, the new poems of Eliot were shown to Montale by Mario Praz, then teaching in Liverpool.
Frank Raymond Leavis was born in Cambridge, in 1895, about a decade after T. S. Eliot, James Joyce, D. H. Lawrence and Ezra Pound, literary figures whose reputations he would later contribute to enhancing.
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New Bearings, devoted principally to Gerard Manley Hopkins, William Butler Yeats, T. S. Eliot and Ezra Pound, was an attempt to identify the essential new achievements in modern poetry (Bell 6).
The gardens, according to Charles W. Eliot (father of noted American landscape designer Charles Eliot), show the influence of English landscape architect Humphry Repton, whose Sketches and Hints on Landscape Gardening just predates the Gores' presence in England.
The title is an homage to the originally proposed title of T. S. Eliot's groundbreaking poem, The Waste Land (itself a passage from Charles Dickens's Our Mutual Friend).
Specializing in American literature, he has published over twenty books and various articles on authors such as T. S. Eliot, Herman Melville, and Walt Whitman.
He has also translated into Spanish the work of, among others, Robert Louis Stevenson, Edgar Allan Poe, Jack London, T.S. Eliot, Shakespeare, François Villon, the complete works of Constantine P. Cavafy, and the poems from the years of madness of Friedrich Hölderlin.
Of importance are his German translations (Hölderlin, Rilke, Goethe, Novalis, Brecht, Christian Morgenstern, Hans Urs von Balthasar) and English (theater: complete Shakespeare prose, likewise those of Charles Dickens, T. S. Eliot, Walt Whitman, Herman Melville, Saul Bellow, Thomas Merton, Edgar Allan Poe, Emily Dickinson, or Joyce's Ulysses (novel), for which he received the Translation Prize Fray Luis de León, 1977).
He has translated books by Samuel Taylor Coleridge (The Rime of the Ancient Mariner), Constantine P. Cavafy, T. S. Eliot, Manuel Bandeira, Fernando Pessoa (Marinela), Marcel Schwob (La Croisade des enfants), Dolf Verroen (Slaaf kindje slaaf) and various literary works of fifty different languages.
Göller was widely admired for the number and range of his publications: six books and over 110 essays on topics as diverse as the Old English elegies, Chaucer, Shakespeare, Shelley, T. S. Eliot, Sylvia Plath, Ted Hughes, nursery rhymes and science fiction.
The epigrams at the beginning of chapters are taken from, for instance, John Bunyan, Walt Whitman, T.S. Eliot, Edgar Allan Poe, Christian Morgenstern, Lewis Carroll, A.E. Housman, Oscar Wilde, and the Finnish poet Uuno Kailas, which is a hint at what Ristikivi was reading at the time.
Her poetry draws from feminist works of Hélène Cixous, Luce Irigaray, and Adrienne Rich, more canonical American poets such as T.S. Eliot and William Carlos Williams poetic experimentations, as well as Japanese culture and literature.
In the 20th century, American-British poet T.S. Eliot (1888-1965) was inspired by the legacy of Little Gidding and incorporated historical elements and symbols into his long poem, "Little Gidding" from his collection Four Quartets (1945).
Bourdin's gruesome death -- and the mystery surrounding his act of terrorism -- inspired Joseph Conrad's novel, The Secret Agent as well as a mention in the T.S. Eliot poem Animula, under the name Boudin.
His major work is The Mind and Heart of Love, published by T. S. Eliot at Faber and Faber in 1945.
Prospect for Christendom: Essays in Catholic Social Reconstruction (Faber and Faber, 1945) editor, with F. N. Davey, V. A. Demant, E. L. Mascall, T. S. Eliot, Philip Mairet, Patrick McLaughlin, T. M. Heron, Ruth Kenyon, David G. Peck, William G. Peck, Charles Smyth, Cyril E. Hudson, Henry Balmforth, Rosalinde Wilton, P. E. T. Widdrington
The library also has important collections of papers and manuscripts from three former Mertonians: mountaineer Andrew "Sandy" Irvine and authors T. S. Eliot and Max Beerbohm.
He has always maintained that the single volume of poetry that most influenced his work was The Waste Land by T. S. Eliot and he is a great admirer of the poetry of Dylan Thomas and the Beat Generation poets, many of whom he met and worked with in their later years.
An edition published in the United States in 1937 by Harcourt, Brace included an introduction by T. S. Eliot.
In 1936, Goffin went to the Westminster Theatre in London, working with Harley Granville Barker and Michael MacOwan on a range of productions, from classics such as Volpone, Uncle Vanya and Troilus and Cressida, to modern works including Mourning Becomes Electra, Heartbreak House, and T. S. Eliot's The Family Reunion. In 1938 Goffin was invited by the government to supervise a course on stagecraft and to lecture on the subject.
He studied at the Old Vic, and his first productions included Oscar Wilde’s Salome and T. S. Eliot’s Sweeney Agonistes.
Notable for including Orwell’s sentence: "Poetry on the air sounds like the Muses in striped trousers.", the article mentions some of the material used in the broadcasts, mainly by contemporary or near-contemporary English writers such as T. S. Eliot, Herbert Read, Auden, Stephen Spender, Dylan Thomas, Henry Treece, Alex Comfort, Robert Bridges, Edmund Blunden, and D. H. Lawrence.
He originally visited the United States in 1988 to write a book about T. S. Eliot, but following the Tiananmen Square protests of 1989 a newspaper reported on his previous fundraising efforts for Chinese students, and he was forced to remain in America to avoid persecution by the Communist Party of China.
In 1945 T. S. Eliot wrote to him about his work This Other Planet, telling him that he though it was "the best war poetry in the correct sense of the term that I have seen in these past years".
A particular interest was English poetry of the 1930s: as well as writing numerous articles he translated works including T. S. Eliot's Four Quartets.
He came to prominence as Becket in the first production of T. S. Eliot's Murder in the Cathedral.
Samuel Atkins Eliot, A.M., D.D. (August 24, 1862 – October 15, 1950) was an American Unitarian clergyman, son of Charles W. Eliot and grandson of Samuel Atkins Eliot, the politician.
Where these earlier movements had been steeped in a sentimental and nostalgic Celticism, however, the modernist-influenced Renaissance would seek a rebirth of Scottish national culture that would both look back to the medieval "makar" poets William Dunbar and Robert Henrysoun as well as look towards such contemporary influences as T. S. Eliot, Ezra Pound, and D. H. Lawrence.
However, in 1952 the book was translated in Germany by Ernst Robert Curtius (who also translated T.S. Eliot's The Waste Land) and Elizabeth Schnack and in France by Maurice Edgar Coindreau (William Faulkner's translator).
One day she meets literary cab driver, Joe Holiday (Robert Desiderio), who references Shakespeare, T. S. Eliot, James Joyce, William Carlos Williams, Albert Einstein, Gustave Flaubert and Agatha Christie.
T. S. Eliot, The Marching Song of the Pollicle Dogs, a poem
Herbert Read and T. S. Eliot were both asked to contribute by Aldington, who himself had been approached by Routledge in 1923, but both initially refused.
In "Rhetorical Form and Design," Heehler serves up 17 lessons from such writers and speakers as T.S. Eliot, Margaret Atwood, John Steinbeck, Ernest Hemingway, Barack Obama, Martin Luther King Jr., and Cintra Wilson.
Eliot graduated from Harvard College in 1948 and received a Master of Public Administration from Harvard's Graduate School of Public Administration in 1956.
He was an unsuccessful candidate for reelection in 1896 to the Fifty-fifth Congress.
The cover also contains a quote from T. S. Eliot, stating that our world will not go out with a bang as we expect, but with a whimper.
Having already referenced literary heavyweights such as Coleridge in "Welcome to the Pleasuredome" and Thomas in "Rage Hard", for "Warriors of the Wasteland" Holly Johnson turned to T. S. Eliot for inspiration.
Two tracks, "In a Station of the Metro" and "All Other Love", are (respectively) Ezra Pound and T.S. Eliot poems set to music.