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The contrast between man made geometrical shapes of fishponds and the free flowing of the flora and typical hilly landscape of the Hula Valley area, crystallized his visual language and determined its formal and thematic foundations.
The visual language of this series resulted in large-scale warp and weft installations within rural and urban environments—weavings—thus linking Vicuña to the Feminist Art Movement's Pattern and Decoration Movement.
In 1960, Yvaral co-founded the Groupe de Recherche d’Art Visual (GRAV) with Julio Le Parc, François Morellet, Francisco Sobrino, Horacio Garcia Rossi and Joel Stein, seeking to develop a coherent abstract visual language composed of simple geometric elements.
Richard Vander Wende, co-director and co-designer of Riven, was likewise responsible for orchestrating the visual language of that world.
Visual language is one tool described by author Daniel Pink in his book A Whole New Mind for the emerging "conceptual age" where people must tolerate ambiguity and communicate quickly, often before concepts are ready to be captured in traditional writing.