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He continued his association with the New York School poets and the St. Mark's Poetry Project for several years, and moved to San Francisco in 1976, where through Benson and Robinson he met other writers—such as Rae Armantrout, Carla Harryman, Lyn Hejinian, Tom Mandel, Ted Pearson, Bob Perelman, Ron Silliman, and Barrett Watten -- who would soon become known as the San Francisco Language poets.
Often associated with the Language poets (or L=A=N=G=U=A=G=E poets, after the magazine that bears that name), DiPalma was the co-author of L E G E N D (1980) with Bruce Andrews, Charles Bernstein, Steve McCaffery, and Ron Silliman.
By the early 1980s, Ratcliffe had begun to read and ‘learn’ about (and from) the so-called Language poets after his friend Bill Berkson, a fellow poet from Bolinas, gave Ratcliffe his set of original L=A=N=G=U=A=G=E magazines.
Traveling frequently to New York City, Berssenbrugge became engaged in the rich cultural flourishing of the abstract art movement, and was influenced by New York School poets John Ashbery, Barbara Guest, James Schuyler and Anne Waldman, and then the Language poets, including Charles Bernstein, as well as artist Susan Bee.
Among Dutch-language poets he helped edit and translate have been Guido Gezelle, Anton van Wilderode, Hugo Claus, Willem Roggeman, Stefaan van den Bremt and H.C. ten Berge.